Reportage

From a young age – ten perhaps – the author Dan Richards has had a strained relationship with night-time. Grappling with insomnia, he would take ‘the homeopathic approach to [his] waking nightmares’, rereading Moominland Midwinter despite its existential terrors. Even now, he writes, he finds it easier to sleep when he is not at home. This has, for better or worse, given him time to think – and lots to think about – while not much else was going on. In the avowed spirit of Auden/Britten’s Night Mail, Richards now invites us to follow him across ‘an usual threshold at an unusual hour’, exploring nocturnal life on the streets of

Halfway through The Shawshank Redemption, Andy and Red, sitting in their filthy prison yard, discuss hope. Red thinks it’s a dangerous thing, which can lead to despair if not fulfilled. But Andy insists on hoping for freedom, and his hope is finally rewarded. The astonishing thing about the migrants and refugees Horatio Clare meets in this short, powerful book – Sudanese, Afghans, Iraqis, Iranians, Ethiopians, Pakistanis, Moroccans, Syrians and Yemenis in Dover, Calais, Falmouth and Portland – is that, despite being some of the most helpless and vulnerable people in the world, most have not lost hope. In Calais’s fenced and guarded camps, the soundtrack is laughter. Clare wants to

What happened to the condolence books? They swiftly multiplied, that mad week in September 1997. The original four at St James’s Palace had to be increased to more than 40. People queued for hours and often spent many minutes composing their contributions. That’s not even to mention the thousands of similar books organised by councils, embassies and private businesses. The official set were ‘offered’ to the Spencer family. Perhaps they are at Althorp. Edward White’s Dianaworld, about the phenomenon of the former Princess of Wales, shows an indefatigable resourcefulness. It is not really about the woman herself but about the effect she had on people who never laid eyes on

Fifty years ago, the blasted bodies of three unmarried siblings, members of the Luxton family, were discovered at a Devon dairy farm, set in a lush stretch between the ‘lavender haze’ of Exmoor and Dartmoor. The youngest member of the family, Alan, was 55. He lay in his pyjamas and work boots on the cobbles in the farmyard. Robbie, 65, with cuts to his face, and Frances, 68, clad in a nightgown rucked up to her waist, were found together in the garden. All the doors to the primitive thatched family farmhouse were locked from inside. The ‘tragic trio’, as they were described by the tabloid press, were the last

When Howard Amos first came to Russia, in 2007, it was a country you visited with interest, even enthusiasm. Modernisation, potentially a progressive development, was on the cards; America was getting ready to ‘reset’ US-Russian relations; foreigners were able to volunteer at Russian orphanages. That was what Amos did, working with disadvantaged children in Pskov Region. In the 2010s, he returned to Russia as a journalist and reported from places high and low. He draws on his experiences in this book’s 17 essays, centred on topics ranging from politics to poetry, religion to rural affairs. Inevitably, war is a recurring theme. One of Amos’s interviewees, Sergei, works for a German

On Friday 13 November 2015 France suffered the deadliest terrorist attack in its history. In quick succession, gunmen and suicide bombers struck the outer concourse of Paris’s Stade de France; then the pretty canal-side cafés and restaurants of the tenth arrondissement; then, most notoriously, the Bataclan theatre, where the doors were blocked and, over the course of an hour, 90 people massacred. The subsequent trial was not just a gargantuan administrative undertaking (20 defendants faced around 2,000 plaintiffs, and the proceedings occupied the purpose-built courtroom for the best part of a year); it was a cultural phenomenon. The judicial reckoning with ‘V13’, as the Paris atrocities soon became known, has

I have been reviewing for decades and this is by far the most difficult book I have taken on: difficult to read because it relates to what Israel has done in Gaza over the last year, and difficult to write about because the subject is so divisive. But whether you think Palestinians deserve what is happening to them or that Israel is a rogue state, please read to the end. First there is the title. Not Catastrophe, or Genocide, or Reckoning in Gaza, but Daybreak. This is a book that carries the promise of a new day, or a dawning – a book that looks forward, but does so also

Leo Tolstoy served as a young artillery officer in the defence of the great Russian naval base of Sevastopol against British and French invaders in the middle of the 19th century. The first of his three short stories, collected as Sevastopol Sketches, came out as the siege was still in progress. In it he spelled out as no writer had done before the way people died in shattered trenches, their bodies shredded by shell fire and left to rot in the mud; or in filthy, overcrowded hospitals, where overwhelmed doctors hacked off limbs without anaesthetic. He wrote not about the generals but about the ordinary soldiers, the men and women

Laila Mickelwait’s Takedown describes in fascinating and often distressing detail both why Pornhub, the Canadian-owned internet pornography video-sharing website, needs to be destroyed and how this might be achieved. It’s not the story of a movement against the porn industry, like the one I have been involved with for decades, but more a woman’s lone, Erin Brockovich-like crusade to shut down a major distributor. The book relates how, through investigative journalism, Mickelwait discovered that one of the world’s biggest websites was knowingly profiting from sex trafficking, and reveals her subsequent fight to hold Pornhub accountable for its distribution and monetisation of child sexual abuse and rape. She is the founder

The other day, John Simpson, He Who Cannot Be Removed From The BBC, tweeted something purportedly about Volodymyr Zelensky. What it was really about, though, was John Simpson – how many world leaders he had interviewed (200), over how long (more than 50 years), and who he most admired (Zelensky, Nelson Mandela and Vaclav Havel). It is difficult to imagine Andrew Harding, a veteran BBC foreign correspondent, tweeting something like that. He is a much more understated reporter, and less prone to foreground himself at the expense of his interviewees. He is just as likely to be on receive as transmit and understands that he is not the story. The

For 25 years, Abed Takkoush assisted foreign reporters like Jeremy Bowen when they arrived to cover the chaos and conflicts in Lebanon. He drove them around in his battered Mercedes, pointing out with grim relish the places where dark deeds had taken place: the assassinations, atrocities, kidnappings and slaughter of civilians that scar this mesmerising nation. During one Israeli onslaught in 1996, Abed sped past a gunship firing at cars on the highway between Sidon and Tyre, laughing with relief when shells exploded on the road rather than the car. ‘We laughed with him,’ writes the veteran BBC reporter. ‘It was a calculated risk. The alternative was turning back to

Janine di Giovanni’s book begins in a Paris apartment during the first lockdown. She’s at a friend’s home, which she leaves for the odd shopping trip wearing a homemade mask and rubber kitchen gloves. Covid has made her anxious and she worries that we may lose things about our way of life forever. They need to be written down so we don’t forget. As she thinks about how her faith has comforted her during the pandemic she decides to tell the story of Christians in the Middle East who have experienced troubles of a different kind. She feels that Christianity is vanishing there, and if we don’t make a record

The most alarming aspect of living in America is the recurring sensation that no one is in charge. This is much more disconcerting than recognising that the people in charge are incompetent and corrupt: that is merely a sorry fact of everyday life. Three times in two decades the world’s most powerful state has failed its people: on 9/11, in the crash of 2007-8 and in the Covid-19 pandemic. Once is unfortunate, twice is carelessness, thrice is recklessness, and after that you’re on your own. My basement now resembles a nuclear bunker: food, water, medical supplies, a gym, a lifetime supply of lavatory paper. I live in an affluent, blue-state

On Easter Monday 2018, Donald and Melania Trump stood on the balcony of the White House next to a giant bunny. It’s part of the job: since 1878, presidents have hosted a children’s Easter egg hunt on the south lawn. Usually they rhapsodise abut what fun the kids are going to have. Trump, true to form, told his young guests to ‘just think of 700 billion dollars, because that’s all going into our military this year’. And he also said that the White House was an amazing place, in ‘tip-top shape’. The liberal media rolled their eyes about Trump boasting to children about military spending but quickly moved on. The

In January, the United States declared that China’s brutal treatment of the Uighur people in Xinjiang amounted to genocide. ‘I believe this genocide is ongoing, and we are witnessing the systematic attempt to destroy the Uighurs by the Chinese party-state,’ said Mike Pompeo, the former US secretary of state. British MPs made a similar declaration in April. Beijing fervently denies the accusation, and some experts maintain that ‘cultural genocide’ is a more appropriate label. But whatever we call it, the systematic attempt to erase Uighur identity, culture and history is a heinous crime against humanity. In The Perfect Police State the American journalist Geoffrey Cain shows how Xinjiang, China’s remote

The years after the first world war were a boom time for utopian communities. As the survivors of the conflict began to recover, many were drawn towards experimental ways of living. Anna Neima looks at six of these communities, asking what brought them together, what kept them going and what legacy, if any, they left behind. In doing so, she offers an original perspective on the entire period and a new way of navigating its artistic and ideological upheaval. She begins with Santiniketan Sriniketan, the community founded by the Nobel Prize-winning poet Rabindranath Tagore in West Bengal. Part ashram, part school, part agricultural college, it promoted the twin causes of

New York in a nutshell? No way. New York in a New York minute? Forget about it. The city contains multitudes: it contradicts itself, wantonly. Any attempt to summarise will fail. Not even Craig Taylor’s delightful cacophony of voices, dozens and dozens of them spilling their New York stories, can compass its vastness and variety. But what a tasty slice Taylor serves up! Until you can fly into JFK and see, hear and smell for yourself, savour the grit, sweat in the choking humidity and shiver in the canyoned midtown winds — until then, his New Yorkers is just the ticket. This is Taylor’s second anthology of urban voices. It