Ww2

Commanding vintages

As the bottles flowed, the talk ranged, to a serious vineyard, an awesome Field Marshal and a delightful restauranteur. For years, the late Tom Benham ran Monkeys as a club. He cooked game especially well and his game pudding, made of course with suet, was one of the best dishes that I have eaten. As Tom charged a fixed mark-up for wine, the better the bottle, the better the value. He always found space for his friends, although his way of doing so was often ruthless. One would telephone: ‘Completely full — but wait: there’s a name here I don’t recognise. You can have that table.’ I never actually saw

Ian Rankin’s diary: Paris, ignoring Twitter and understanding evil

After ten days away, I spent last Friday at home alone, catching up on washing, shopping for cat food, answering emails. Quotidian stuff. An early dinner with one of my sons, and I was in bed at a decent hour. Checking Twitter, I began to realise that a grim spectacle was unfolding in Paris. Soon enough, on-the-ground reportage was joined by rumour, inaccuracy and blatant misinformation. That’s the problem with ‘rolling news’ — and Twitter has become part of that industry. On the TV, the reports were more measured but far less immediate, with repetitious footage of police cars and emergency workers. Twitter was the more immersive and pulsating place

Shock and awe in Coventry, 14 November 1940

On 14 November 1940, at seven in the evening, the Luftwaffe began to bomb Coventry. The skyline turned red like an eclipse of the sun as clouds of cinders, lit red by the blaze, floated down over the great West Midlands city. Coventry seemed to have been hit by a meteorite. The mile-high roar of magnesium incendiary flames created a firestorm in which over 554 people died and twice as many were wounded. Life as Coventrians had known it, lived it and loved it, came to an end that Thursday night. Hitler’s first Blitz on an English city had taken the inhabitants by complete surprise. In the space of 11

The Church of England’s shameful betrayal of bishop George Bell

The Church of England has produced a lot of good men and women, but very few great ones. It is in its modest, cautious nature that it should be so. Greatness requires a lonely, single-minded strength that does not sit easily with Anglicanism’s gentle compromise. And I suspect the Church has always been hesitant and embarrassed about the one undeniably great figure it produced in the 20th century. To this day, George Bell, Bishop of Chichester from 1929 to 1958, is an uncomfortable, disturbing person, like a grim obelisk set in a bleak landscape. Many British people still disapprove of his lonely public denunciation of Winston Churchill’s deliberate bombing of

The swastika was always in plain sight

In 1940, when Stephen Spender heard a German bomber diving down towards London, he calmed himself by imagining that there were no houses, and that the bomber was ‘gyring and diving over an empty plain covered in darkness’. The image consoled Spender with his ‘smallness as a target, compared with the immensity of London’. But it also exposed the ‘submission of human beings to the mechanical forces that they had called into being’. It seemed to Spender that entire nations were gripped by the ‘magnetic force of power’. People ‘no longer had wills of their own’. As Tolstoy complained in the second epilogue to War and Peace, this sort of

Hitler’s émigrés

Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s a fitting tribute for an artist who’s widely (and quite rightly) regarded as Britain’s greatest living painter. Yet although Auerbach has spent almost all his life in Britain, what’s striking about his paintings is how Germanic they seem. Born in Berlin in 1931, Auerbach was only seven when he came to England (his parents subsequently perished in the Holocaust). By rights, he should stand alongside British artists such as Peter Blake and David Hockney, yet his work feels far closer to German painters like Georg Baselitz or Anselm Kiefer. Auerbach

Cry havoc

If you love dogs and or live with one — I declare an interest on both counts — there is enough here about what the authors too often call ‘doggies’ to keep you interested. But what I liked about this book, despite its trickle of cute language, is that the title exactly tells the story. The dogs indeed went to war, and they were trained to do unpleasant things, including committing suicide by charging into German strongholds carrying bombs, seeking out and identifying landmines, finding bodies under rubble, and guarding bases. But according to Clare and Christy Campbell, war dogs’ effectiveness, despite much heroic, sometimes false, publicity, is doubtful. Another

The continent in crisis

Sir Ian Kershaw won his knight’s spurs as a historian with his much acclaimed two-volume biography of Hitler, Hubris and Nemesis. He is now attempting to repeat the feat with a two-volume history of modern Europe, of which this is the opening shot.Inevitably, the figure of the Führer once again marches across Kershaw’s pages as they chronicle the years dominated by Germany’s malign master. First the Great War that gave Hitler his chance to escape obscurity, and then the greater one he launched himself. Opening with the continent’s catastrophic slide into generalised conflict in 1914, Kershaw apportions blame or the disaster more or less equally to all the combatant nations.

The brutal mask of anarchy

In September 1939 Britain went to war against Germany, ostensibly in defence of Poland. One big secret that the British government didn’t know at the time — and not until much later — was that while the Anglo-Polish alliance treaty was being negotiated during the previous months, the Poles had been actively training and arming terrorists to kill British troops in the Middle East. I don’t normally believe in convoluted conspiracy theories, but this one happens to be true. In the 1930s the anti-Semitic government in Warsaw wanted rid of 3.5 million Polish Jews. Initially they tried to pack them off to Madagascar. But then the Poles hit on the

The powers that were

Ivan Maisky was the Russian ambassador in London from 1932 to 1943, and his knowledge of London, and affection for it, went back to his time there as a political exile from 1912 to 1917. Even after the multitude of books published on the subject, these diaries throw new light from a fresh angle on the lead-up to 1939, and the subsequent course of the war. Maisky’s commitment to communism was total. On 4 November 1934 he writes: Today, any man, even an enemy, can see that Lenin is an historical Mont Blanc… a radiant guiding peak in the thousand-year evolution of humanity, while Gandhi is just a cardboard mountain

Long life | 3 September 2015

While the Germans were raining bombs on London during the second world war, the architects’ department of London County Council was busy colouring in Ordnance Survey maps of the city to record which buildings had been destroyed and which had not. These maps have now been published as a book by Thames and Hudson, The London County Council Bomb Damage Maps, 1939-45. Those buildings that had been totally destroyed were coloured black on the maps; those that had been damaged beyond repair, purple. And a review of this book in last Saturday’s edition of the Times was accompanied by a reproduction of one map covering the area around St Paul’s

Forget Chilcot

[audioplayer src=”http://rss.acast.com/viewfrom22/jeremycorbynsbritain/media.mp3″ title=”Peter Hitchens and Fraser Nelson debate whether the Chilcot report needs to be published” startat=1916] Listen [/audioplayer]It might actually be better if Sir John Chilcot’s report is never published. I for one can no longer be bothered to be annoyed (though I used to be) by the increasingly comical excuses for its non-appearance. We all know the real reason is that the Iraq war was the product of lies, vainglory and creeping to the Americans, but they don’t want to admit it. I suspect Sir John and his colleagues would be more hurt by a patronising acceptance that they are a hopeless embarrassment than by any more anger.

Spirits of the Blitz

If the early Martin Amis is instantly recognisable by way of its idiosyncratic slang (‘rug-rethink’, ‘going tonto’ etc) then the later Pat Barker can be similarly identified by its finely wrought accounts of physical trauma. ‘Afterwards, it was the horses she remembered,’ runs a specimen sentence from the new novel, ‘galloping towards them out of the orange-streaked darkness, their manes and tails on fire.’ Noonday’s Blitz-era setting — the horses are in flight from a bombed-out brewery — gives Barker ample opportunity to do what she does best: intent descriptions of splayed limbs that are sometimes engaged in the act of love, occasionally the subjects of paintings or, more often,

Liberating Marianne

In Marianne in Chains, his last book on Occupied France, Robert Gildea offered an original view of life in that country between 1940 and 1944, arguing that outside the cities it had not always been as bad, nor had the Vichy regime always been as reactionary, as was subsequently claimed. Confining his research to three departments in the Loire valley, Gildea also suggested that for most people most of the time the Resistance was a dangerous irrelevance, to be avoided wherever possible. These conclusions were presented at a conference in Tours where they caused a minor uproar among French specialists. Gildea, professor of modern history at Oxford University, now turns

Diary – 13 August 2015

Should we have celebrated VJ Day? Hearing the hieratic tones of the Emperor Hirohito on Radio 4 the other day, announcing the unthinkable — the surrender of the great imperial power to the secular, gas-guzzling, unheeding West — seemed like a profanity. So much came to an end with that surrender that it is not possible to celebrate it, particularly since the method chosen to defeat Japan was nuclear-fuelled genocide, not once — which would have been unforgiveable enough — but twice. Surely the Japanese who survived that monstrous pair of bombings, both of which were without any military or moral justification, were staring at what motivated Guy Crouchback —

Hamburg

‘What was it like growing up in Liverpool?’ a journalist asked John Lennon. ‘I didn’t grow up in Liverpool,’ he replied. ‘I grew up in Hamburg.’ My father grew up in Hamburg too, at the end of the second world war. The city had been bombed to smithereens. Cigarettes were the only currency, and my grandma had to trade her jewellery for food. When she met a British soldier who offered to take her to England, she grabbed this lifeline with both hands. If only she were alive to see her smart home town today. When the Beatles came here in 1960, they stayed in St Pauli, the dockside red-light

Matters of life and death

‘Bait by Cartier,’ she growls as her priceless diamond bracelet is strapped to a piece of rope and dropped overboard in the hope it might lure a fish on to the line. She’s stuck on a boat with a group of survivors after the freighter she was aboard was hit by a German U-boat during the second world war. She was Tallulah Bankhead, playing Connie, heroine of John Steinbeck’s novel-cum-film Lifeboat, for Mystery Theater, the American radio drama series, first broadcast in 1950 and now replayed on Radio 4 Extra (Sunday). They just don’t make voices like that anymore. It had star quality streaked right through it. That deep husky

Wild things

Mud, timber, junk, fires, splinters, rust, daubed paint… Suddenly people are talking about adventure playgrounds again. With the Turner Prize-nominated collective Assemble constructing a new adventure playground in Glasgow, and their exhibition The Brutalist Playground at Riba, we’re being asked to think again about these ugly but lovable spaces. It was the landscape architect Lady Allen of Hurtwood who saw that in these gloriously chaotic environments — with their dens, walkways, animals, zip wires and cargo nets — children could find a freedom, self-expression and self-determination that is denied to them elsewhere. In 1946, on the way to Norway for a lecture tour, Lady Allen’s plane stopped to refuel in

Teenage terrors

One of the great moments of my student life was opening the door and seeing visitors step back, shocked. I’d shaved my hair off to an eighth of an inch. It felt like velvet but looked spiky and hard. It was all down to Ulrike Meinhof, co-founder with Andreas Baader of the Red Army Faction, who’d just hanged herself in Stammheim prison, in Germany. My friends liked my haircut as we conflated Ulrike the martyr with images of a mullet-haired Jane Fonda raising her fist against the US army on behalf of the tortured Viet Cong. I was reminded of that haircut — and my shocked visitors — by the

Divide and quit

In 1929, when Edwin Lutyens handed over the newly completed building site of New Delhi to the Viceroy, Lord Irwin, many believed he had created a capital for a British empire in India that would last if not 1,000, then at least 100 years. It was, as Lord Stamfordham wrote, ‘a symbol of the might and permanence of the British empire’ that had been commissioned specifically so that ‘the Indian will see for the first time the power of western civilisation’. The plan of New Delhi was deliberately intended to express the limitless power of the Viceroy. In the words of Sir Herbert Baker: ‘Hurrah for despotism!’ Every detail of New Delhi