Youtube

Hobbit houses and 3-D homes

Since 2006, someone called Kirsten Dirksen has been posting weekly videos on YouTube about ‘simple living, self-sufficiency, small (and tiny) homes, backyard gardens (and livestock), alternative transport, DIY, craftsmanship and philosophies of life’. But don’t let that put you off. Basically, Dirksen makes short films about people’s quirky homes: ‘Tiny Parisian rooftop terrace transforms for work and leisure’, ‘Extreme transformer home in Hong Kong’, etc. Fear not: this not some shoestring Grand Designs. There is little or no enthusing, there are no vacuous summings-up, there is no false jeopardy. The videos vary in length: some of them last for less than ten minutes, others for close to an hour. Many

The vlogging fantasy

My friend’s ten-year-old daughter has a new hobby. Like many of her school pals, she hopes to become a video blogger — a ‘vlogger’. She has started to record clips of herself for others to watch, share and ‘like’. She showed me a few, then gave me a list of famous vloggers to watch: JoJo Siwa, iJustine, Noodlerella, Zoella. Their names sounded so bizarre. But they are totally familiar to tweenage girls. Like an earnest marketing executive, my friend’s daughter then explained to me that it was all a matter of numbers. If her videos are viewed 40,000 times on YouTube, she can have adverts placed on them; 100,000, and

Pandora’s Box

On 25 April 2005, Jawed Karim sent an email to his friends announcing the launch of a new video site — intended for dating — called youtube.com. Within 18 months, the site was being used to view 100 million videos a day. Last year it had more than a billion users, watching five billion videos every day, with creators uploading 300 hours of video to YouTube every minute. Given this almost incomprehensible scale, it’s fitting that the word Videocracy — the title of YouTube Head of Trends Kevin Allocca’s history of the site — evokes the idea of an authoritarian dystopia. Like any approved account from such a regime, its

Low life | 22 February 2018

My hangover was what the great Kingsley Amis describes in his Everyday Drinking guide as a ‘metaphysical’ hangover. Apart from the usual feeling of being unwell, stealing over me was that ‘ineffable compound of depression, sadness (these two are not the same), anxiety, self-hatred, sense of failure and fear for the future’. Amis’s remedy was to read the final scene of ‘Paradise Lost’, Book XII, lines 606 to the end, ‘which is probably the most poignant moment in all our literature’. Otherwise he recommends battle poems, such as Chesterton’s ‘Lepanto’. But now the random selection of images and scenes recollected from the previous evening paused on a new and particularly

A very minor prophet

Now that I seem to have become a prophet of doom, I wonder whether I should have been a guru instead. Doom doesn’t sell. Bookshops hide my books in back rooms. My recorded harangues and TV appearances reach a few thousand dedicated YouTube enthusiasts. But Dr Jordan B. Peterson, supposedly as reactionary as I am, speaks to millions. His new book 12 Rules for Life: An Antidote to Chaos adorns the front table of every Waterstones. Annoyingly, friends of mine recommend his lectures to me, people on Twitter tell me incessantly that I ‘must’ explore his work. They become positively rude if I express reluctance. How has he done this?

Read ’em and weep

Subtitles are taking over the world. It’s increasingly rare these days for a video clip to be free of those irritating little bars along the bottom, rendering before your eyes what your ears are coping with quite easily, thank you very much. That interview you clicked on from Twitter? There are the speaker’s words subtitled below. That report on a news website? There are the subtitles again, spelling out everything from the presenter’s narration to the sound effects in the background. Even pop songs have their lyrics displayed. It’s driving me mad. ‘Don’t look at the subtitles,’ comes the reply. But that’s the really annoying thing: you have to look

Low life | 5 October 2017

The temperature gauge needle heeled hard over into the red. ‘Not again,’ I said to Oscar, sitting beside me on his booster seat. Sunday evening, and I was returning him to his mother after having him to stay for the weekend. The distance door to door is around 20 miles: about 40 minutes along country roads. After ten miles, a steep uphill climb proved disastrous. Steam was pouring in through the heater vents and fogging up the inside of the windscreen. I tried the demist blower on maximum heat but only cold air came out. So I drove the car with one hand and wiped the steam from the glass

Low life | 11 May 2017

I was sitting between mother and daughter on the sofa, and we were having a ‘wee night’ as Glaswegians put it. Having a wee night roughly means ‘celebrating’. Yesterday the daughter finished the final exam of her English degree. On the low table in front of us were three gin and tonics, two packets of fags, a souvenir ashtray from Dracula’s castle in Transylvania, a packet of transparent French cigarette papers, a plastic syringe with hash oil rammed up one end, a disposable lighter, a portable Bluetooth speaker, and an open laptop. Mother and daughter were taking it in turns to choose music videos on YouTube. So far we’d enjoyed

Can I bear to sack the digital babysitter?

I was astonished to discover in conversation with another dad last week that he and his wife intended to introduce a screen ban over half term. Not limiting their children to something reasonable like two hours a day. But a blanket ban. How on earth will they cope — and by ‘they’ I mean him and his wife, not their two kids? It’s not as if they’re going on a family cycling holiday on the Dalmatian Coast. No, they’ll be spending this week at home in Acton. The poor buggers will be forced to play Monopoly Empire from first thing in the morning till last thing at night. When I hear

Real life | 7 April 2016

My adventures in penury land me with two job applications on my screen, one for MI6, one for Sainsbury’s. Do I become a spy, or stack shelves in a supermarket? The vacancies are on a recruitment site called Indeed, one after the other: Counter Assistant, Sainsbury’s. Intelligence Officer, London. Just like that. I began googling jobs in a panic because embarrassing things started to happen. For example, a friend who runs a tack shop gave me a broken bag of feed for the horses, saying, ‘Please, take it, I can’t sell it. Really, you’d be doing me a favour.’ Word has evidently got round that I am succumbing to the

Dreadlocks

‘Why are you filming this?’ ‘For everyone’s safety.’ Those are the last words in a 46-second video that was watched by more than three million people on YouTube last week. The question was asked of the unseen cameraman by a black woman who had been haranguing a white youth at San Francisco State University for wearing dreadlocks (or the best he could manage with his weedy hair). I’ve written about being safe in universities before, but this incident focused on cultural appropriation, which is a new crime discovered by people who think it in fact misappropriation to adopt the cultural expression of another ethnic group. Search me. Of course the

Low life | 3 December 2015

My favourite YouTube video clip this week shows a chap sitting at a desk typing. All you can see of him are his hairy forearms, poised hands and fast fingers. He types for ten minutes. Nothing else happens. The typewriter is a portable designed in the early 1960s by Marcello Nizzoli for Olivetti — the famous Lettera 32. Cormac McCarthy bashed out five million words on one of these, blowing the dust out of it now and again with the air hose at his local garage. He auctioned it a few years ago for a quarter of a million dollars. The video clip is a paean to the beauty and

Russell Brand is the future, like it or not

I write at a difficult time. The balls are in the air, but we know not where they will land. Perhaps, by the time you get to read this, more will be clear. Right now, however, we know only that Ed Miliband has been interviewed by Russell Brand. We do not yet know what he said. Or what Brand said. Probably he said more. ‘That was interesting enough, but Russell Brand was a bit restrained’ is something that nobody has said, after any conversation, ever. Most likely he’ll have quite liked Ed Miliband. They’ll have friends in common. Probably even girlfriends, what with them both having such voracious sexual appetites.

The General Election 2015 viral video chart

Last week, the Greens released ‘Change the Tune’, a party political broadcast on YouTube. It features actors playing Cameron, Clegg, Miliband and Farage all singing in harmony. All four men are indistinguishable from one another. Ukip and the Lib Dems are the same, went the message. Only the Greens are different. Met with wild adulation from Green supporters and bewildered scepticism from more-or-less everyone else, the video has been the most high profile video of the campaign so far. Buckle up – it’s time for viral politics. YouTube and other platforms hosting political videos side-by-side with popular culture will play a significant role in this election. This is not particularly controversial. Political videos are

Spotify: saint or sinner?

We have all read about the current woeful state of the CD industry — how it is 28 per cent down on last year, which was 25 per cent down on the previous year, and so on — but do we know why? Is it the endless financial crisis? Or is it that CDs, as a concept, are knackered? And this is despite the fact that more people are taking an interest in recorded music than ever before. The villain of the piece is of course the internet. Where previously the music one wanted was not available without going into a shop and buying it, now there is every chance

Google vs governments – let the new battle for free speech begin

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_27_Nov_2014_v4.mp3″ title=”Hugo Rifkind and James Forsyth debate the clash between geeks and spooks” startat=37] Listen [/audioplayer]Imagine there was one newspaper that landed all the scoops. Literally all of them. Big news, silly news, the lot. When those girlfriendless, finger-wagging freaks in Syria and Iraq opted to behead another aid worker, it would be reported here first. Likewise when nude photographs of a Hollywood actress were stolen by a different bunch of girlfriendless freaks. Hell of a newspaper, this one. Imagine it. After a while, imagine that western governments began to realise that this newspaper had sources that their own security services just couldn’t rival. So imagine that the editors

Podcast: Britain’s ambulance crisis, Cameron’s European way and the cultural generation gap

999, what’s your emergency? This time, it’s one right at the heart of the ambulance service, as Mary Wakefield reveals in this week’s Spectator. Paramedics are fleeing and needless calls are mounting. But why is the government refusing to take notice? And why are paramedics being denied the respect they deserve? Mary discusses her findings in this week’s podcast with Fraser Nelson and Julia Manning, chief executive of 2020Health. The Prime Minister heads off on Saturday to Brussels for one of his least favourite events: the European Union summit. In her column, Isabel Hardman suggests that EU summits haven’t been kind to Cameron, and that things aren’t about to change.

I’d like to share my favourite violent pop video with you

This week has seen the Prime Minister playing Mary Whitehouse again. On Monday he announced that, as of October, music videos on sites like YouTube and Vevo are to carry age classifications similar to those already in place for feature films. You can read the subtext on his ‘deeply concerned’ brow: ‘if this is what it takes to get a majority…’ In principle, it’s hard to object too much. CDs (if anyone still buys them) carry parental guidance stickers, and a lot of comic books have a ratings system. Video games and DVDs follow the same British film classification board traffic-light system as cinema releases. Unless you take particular issue

No, I haven’t seen that beheading video. And it’s not right to share it

I am sure we’re all in agreement that watching videos of adults abusing children is wrong. At least outside the halls of BBC light entertainment (historically speaking) such a consensus must exist. So how has it become not just right, but seemingly virtuous, to watch and then promote pictures of big bearded men chopping off children’s heads? The proliferation of torture and beheading porn is one of the social media horrors of our day. Every minute millions of people around the world send links to videos and photographs. And as world news gets darker, even if you don’t seek them out, such images find their way to you. Of course

Elliot Rodger and the Hollywood ending

I’ve found myself strangely drawn to the videos made by the 22-year-old assassin Elliot Rodger just before he went on his killing spree in his university town of Santa Barbara, California, last week. In a series of stabbings and drive-by shootings Rodger killed seven people, including finally himself, and wounded 13 more. The son of a film director, he had spent the first few years of his life in England, moving to America at the age of four. Rodger had been preparing for his murderous spree and made a series of videos, many of which are accessible on the internet as I write. The last was recorded by himself the