The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
‘This guy’s crazy,’ says a taxi driver, listening to a BBC interview with a man who has decided to become the first exporter of coffee from Mokha, Yemen, in 80 years. The man being interviewed, we have learned, has risked his life quite a few times over, in the most hair-raising ways imaginable it would
In the words of Dad’s Army’s Private Frazer: ‘We’re all doomed.’ Life remains a dangerous business whose outcome is always fatal. Despite all kinds of medical progress, the death rate is stubbornly fixed at 100 per cent, while the ways in which we die remain unchanged. At the same time, in a magnificent demonstration of
Alan Bennett once defined a classic as ‘a book everyone is assumed to have read and forgets if they have or not’. The Victorian nature writer Richard Jefferies 1848–1887 is in the peculiarly unfortunate position of having produced a whole library that falls pretty much into this category. His novels such as Bevis (1882) or
If you’ve ever had a text or email thread spiral wildly and unexpectedly out of control or clocked a couple having a blank-faced argument in Tesco or a mother remonstrating with her toddler even though you couldn’t hear the words exchanged, then you understand the importance of the human voice. Command of tone, timbre, pitch
Tony White’s latest novel begins for all the world like a police procedural, following the delightfully named sleuth Rex King as he investigates the grisly murder of man in a Covent Garden theatre. Rex, who has a penchant for fish and chips, laments the tedium of police bureaucracy and frets over a cover-up relating to
For Horace Hopper, the half-breed protagonist of Willy Vlautin’s bleak new novel, essential truths come slowly, and usually too late to do him any good. Abandoned by his Native American mother and Irish American father, he has exiled himself from the only people who love him, an elderly couple on a sheep ranch in deepest
I always suspected I disliked Jeff Koons, until I saw one of his monumental pieces at Frieze London a few years ago. Then it was confirmed. Cynicism seemed to ooze out of every millimetre of his vast, shiny sculpture. It was vividly apparent that this artwork wasn’t about beauty or transcendence or emotion. It was
Peter Paul Rubens thought highly of Charles I’s art collection. ‘When it comes to fine pictures by the hands of first-class masters,’ he wrote from London in 1629, ‘I have never seen such a large number in one place.’ In Charles I: King and Collector the Royal Academy has reassembled only a fraction of what
The Birthday Party is among Pinter’s earliest and strangest works. It deconstructs the conventions of a repertory thriller but doesn’t bother to reassemble them. The setting is a derelict seaside town on the south coast. Petey, a thick deckchair attendant, runs a guest-house with his ageing wife, Meg. She’s a zero-IQ cook whose signature dish
Grade: D– You’re in a minicab, on the way home from some bash that was considerably less pleasing than you had anticipated. The driver has the radio on and this limp, witless, landfill R&B crap is hammering into your sinuses. You want to tell him to turn it off right now but don’t because you
Gurn loves Effy, Effy is engaged to James but James is away with the fairies: a recipe for love tragedy. Tamara Rojo’s English National Ballet hasn’t danced August Bournonville’s La Sylphide since 1989 (before most of today’s dancers were born or thought of). The easy elevation and unshowy brilliance of the Danish style do not
Last year was a bit of a year for Radio 4 anniversaries; maybe most notably, Desert Island Discs celebrated 70 years on air. But oddly enough, so did another show. Round Britain Quiz, which you may remember vaguely from your childhood, or possibly your parents’ childhood, also reached 70 in 2017. There have been one
Downsizing is a film with the most brilliant premise. What if, to save the planet, we were all made tiny? What if we only took up a tiny amount of space and flew in tiny planes and produced tiny amounts of rubbish? And what if we could live in the sort of mansions that would
If you were to ask me by the end of the week what I had written about in this column at the beginning I would probably look blank, fumble desperately through a foggy recollection of plays, news items, snatches of interviews and then reply, ‘I’ve no idea.’ This business of forgetting so soon what was
These days, when it comes to people who used to be on the telly, the answer to the classic newspaper question ‘Where are they now?’ tends to be a fairly predictable one: they’re still on the telly — if, that is, you look carefully enough. They’re also quite likely to be travelling abroad with a
One of the Royal Opera’s greatest virtues is the care it takes with its revivals, even those that are virtually annuals, such as Jonathan Kent’s Tosca, the unnecessary replacement for Zeffirelli’s classic production. Kent’s version, with elaborate sets by the much-missed Paul Brown, was unveiled in 2006 and now has its ninth revival. It is
The story, as it emerges, feels both familiar and inevitable. A bored 19-year-old student, on his university holidays in mid-century Metroland, joins the local tennis club, where he dismisses all the girls his age as wholesome ‘Carolines’ but falls for Mrs Susan Macleod, a spirited, sarcastic woman in her forties. Paul shocks the village by
Accounts of the founding of the British Empire once echoed the pages of Boy’s Own, featuring visionaries, armed with a flag, a faith and a funny hat, arriving in exotic lands untouched by civilisation. Overcoming great odds, they would kick-start the regions’ histories, show the locals the proper way to live and extend the imperial
Enrico Fermi may not be a name as familiar as Einstein, Feynman or Hawking, but he was one of the greatest figures of 20th-century physics, with a reputation for infallibility. In Rome, pioneering atomic science under Mussolini, he was nicknamed ‘the Pope’. Escaping to America where he created the world’s first nuclear reactor, he was
This week’s books podcast celebrates the centenary of Muriel Spark. I’m joined by Alan Taylor (author of a new memoir of his friendship with Spark, Appointment in Arezzo) and the critic Philip Hensher to talk about Spark’s life, legacy, special strengths as a novelist — and the mystique that continues to surround the Scottish-born, Tuscan-dwelling author
You’re in the index, but not in the book. This ghostly sensation has been my experience since 1990 after commissioning Auberon Waugh to review Anthony Powell’s Miscellaneous Verdicts. Waugh’s verdict appeared in the Sunday Telegraph on 20 May that year. Next morning, Powell resigned in a celebrated huff from the sister paper, of which I
Twenty-odd pages into Michelle de Kretser’s The Life to Come, I pounded the table and bellowed an Australian-accented ‘fuck yeah!’ This startled my wife, who startled the cat, which startled my gin and tonic into my lap. But it was worth it, and remains my unvarnished critical opinion. To varnish it a bit: The Life
Françoise Frenkel was a Polish Jew, who adored books and spent much of her early life studying and working in Paris. Her passion for French literature led her to open the first French bookshop in Berlin in 1921, a resounding success in spite of the predominantly Francophobe sentiment in Germany following the first world war.
This being the centenary of women’s suffrage, there’s an unmissable feminist aspect to children’s books right now. Stories about strong girls, fictional and historical, are everywhere. (The worst example of the genre, I may say, was Goodnight Stories for Rebel Girls.) Well, if it’s feisty girl stories you’re after, you could do much worse than
When this survey of British fairydom arrived I turned to the chapter on Dorset to read about the little people of my county. After a survey of place names referring to the ‘puca’, which may or not connect with Shakespeare’s Puck, I received the disheartening news that Dorset wasn’t very good for fairies, and that
Until recently, it seemed we were living in an age of Iliads. Since 2007, the ancient Homeric epic has been translated into English at least seven times (including by Caroline Alexander, the first woman to do so). Yet the Iliad’s sequel, the Odyssey — about war’s aftermath, the home front and the difficult return to
Sullying the glorious sunshine, sand and sea, Miami in the 1940s, when I first ventured there, was already overcrowded, vulgar and exorbitant. It got a lot worse. By the early 1980s, the period to which this sensational criminal history is devoted, it had become the capital of Cubans in exile and America’s most prosperous cocaine
Martin Caiger-Smith’s huge monograph on Antony Gormley slides out of its slipcase appropriately enough like a block of cast iron. In its beautiful rust-coloured linen covers it looks a bit like a block of cast iron, too. Open it to the endpapers, ‘Bodies in Space’, and black splatters across a white ground. Turn a couple