The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Macbeth at the Globe wants to put us at our ease and make us feel comfortable with the play’s arcane world of ghouls, hallucinations and murderous prophecies. Abigail Graham’s up-to-the-minute production offers a few nods to history, like the eagle masks worn by the three witches, but for some reason they speak in dense cockney
Grade: A– The point of a sudden, abrupt change in the time signature and instrumentation of a song is to surprise the listener and undermine his or her expectations. If, however, you do it in every song, then the point is lost, and the listener finds himself actually waiting for the weirdnessto begin. So it
Bad Behaviour is a decidedly solemn new Australian drama series with plenty to be solemn about. It was billed in Radio Times as ‘slow-burning’ – which feels a little tactless, given that the opening scene featured a girl in a boarding-school dormitory setting herself on fire (and burning quite quickly). We then cut to the
Quite when the concept of coolness became a thing is uncertain, even to etymologists. As early as 1884, an academic paper noted the expression ‘Dat’s cool!’ among African-Americans. But it’s about 100 years since ‘cool’ entered the lexicon as an unambiguous description of something to aspire to (via jazz, inevitably), and it’s still a crucial
The fun starts early in Beckett’s Endgame. Within minutes of opening his mouth, blind bully Hamm decides to starve his servant. ‘I’ll give you just enough to keep you from dying,’ he tells Clov. One biscuit and a half. Which feels positively lavish compared with what composer Gyorgy Kurtag feeds us musically in the first
We used to call it a ‘meat and two veg’ programme, back in my concert planning days: the reliable set menu of an overture, a concerto and a symphony. It was an unfortunate term. No artistic planner likes to feel that they’re playing it safe, still less (and sources report that this goes double at
Past Lives is an exquisite film made with great precision and care about what could have been, even if what could have been does not mean it should have been. Forgive me; it’s a hard film to pin down. That it’s exquisitely affecting and made with great precision and care is enough for now. No
Graham Nash always seemed like the reasonable, peace-making one among his famously fractious compadres, David Crosby, Stephen Stills and Neil Young. But he didn’t get to where he is today by being plagued with doubt or false modesty. Even talking remotely over a Zoom connection, he still radiates a kind of unshakeable certainty. ‘I just
There is an apocryphal story about a woman leaving a performance of Hamlet and complaining that it was nothing but a bunch of quotations strung together. Bruce Robinson’s 1987 movie Withnail & I can also feel like a caravan of famous lines: ‘I’ve only had a few ales’; ‘We’ve gone on holiday by mistake’; ‘We
During the summer, I noticed a new noise coming from the crowd whenever Ben Stokes or another English player bashed or stroked the ball to the boundary. It wasn’t quite the cheer you’d expect; more an ahhhh of appreciation, as you would deliver to someone who is offering a masterclass in how to win a
‘Bald, overweight and gluttonous’ is how the American journalist and food writer A.J. Liebling described himself. Born in Manhattan in 1904, he wrote extensively about boxing and horse racing and was a war correspondent during the second world war, taking part in the Normandy landings in that capacity. He also recounted his gastronomic adventures in
‘These bloody days have broken my heart.’ Thomas Wyatt’s words are an expression of his personal distress at the fall of Anne Boleyn, Henry VIII’s second wife and the woman for whom the king had defied the pope and proclaimed himself supreme head of the English Church. But they are also indicative of the shockwaves
Rory Stewart is one of that almost extinct species in the modern Conservative party, a one-nation Tory. He is also – or was (until Boris Johnson kicked him out) – a politician with hinterland. He had been places and done things before getting himself elected in his late thirties, entering parliament in 2010. Disillusion rapidly
Sebastian Faulks’s new novel poses questions about the meaning of humanity and the significance of difference. Set in the near future – the action starts in 2030 – it centres around Talissa, a clever postgrad anthropologist from New York, who offers to become a surrogate mother to strangers in order to earn money to continue
A fundamental question is posed midway through this narrative by Michael Portillo. Speaking in his guise as a colourfully dressed TV presenter rather than politician, he demands of Natasha Walter as the cameras roll: ‘What did your parents actually achieve?’ They are standing in a nuclear bunker, the site of her parents’ most audacious stunt,
When the Germans occupied northern Italy in the autumn of 1943, they were pleased with the way that young Italian women, pedalling on bicycles around the country lanes in white socks and pigtails, smiled at them. The soldiers offered to help with their loaded baskets and gave them lifts in lorries. It took some months
Margaret Cavendish, the 17th-century Duchess of Newcastle, has been described as a heroine whose every doing ‘is romantic’ (Samuel Pepys); as being ‘so distracted… that there are many soberer people in Bedlam’ (Lady Dorothy Temple); as looking like ‘a devil in a phantom masquerade’ (King Charles II); as ‘the great atheistical philosophraster’ (anonymous 17th-century gossip
It’s the Edinburgh International Festival, and Barrie’s back in town. Once, Edinburgh was pretty much the only place that you could see Barrie Kosky directing in the UK; there was a satisfyingly transgressive thrill about an opera director whose priorities were so self-evidently about the whole art form that he’d happily stage Monteverdi as a
Forty per cent of London is green space. And what we do with all that grass – all that potential – is pave it with music festivals. This year, Hyde Park hosted Billy Joel and Bruce Springsteen. Gunnersbury Park had Boygenius. Finsbury Park welcomed Pulp and Travis Scott. Field Day is a staple of the
In a few days, Lankum will most likely win the 2023 Mercury Music Prize for their fourth album False Lankum – but don’t let that put you off. Increasingly, the Irish quartet feel like they belong to the lineage of artists who have wreaked radical and lasting change upon British and Irish folk traditions, from
The Immortals, which begins on Radio 4 this week, is not for the faint-hearted. While it professes to be about the human quest for longevity and the elusive ‘cure’ for getting older, it focuses largely upon the transferral of blood plasma from healthy young people to reluctantly ageing people, or, as anyone with good sense
Georges Simenon’s lugubrious detective Maigret has appeared in umpteen screen adaptations and dozens of actors have played him. Now it’s Gérard Depardieu’s turn. Depardieu’s Maigret isn’t, in fact, quite how I imagined Maigret. He’s bulkier than the one in my head; moves more cumbersomely, like a sad circus bear. And I never saw him with
The busiest show in Edinburgh must be Grayson Perry: Smash Hits which, a month into its run, still has people queuing at 10 a.m. His original title, National Treasure, was rejected because ‘national’ is a politically loaded term in Scotland. But Perry’s lens is resolutely fixed on England and Englishness. Seen from a Scottish perspective,
Bleach and germs are the central themes of Dr Semmelweis, written by Mark Rylance and Stephen Brown. The opening scene, set in the 1860s, presents the harmless old doctor as a charming oddball who adores playing chess with his happy, clever wife. This is code: Semmelweis is an intellectual and a feminist whom it’s safe
The train from Zurich to Lucerne tips you out right by the lakeside, practically on the steamboat piers. A white paddle-steamer takes you out of the city, past leafy slopes and expensive-looking mansions. Tribschen, where Wagner wrote the ‘Siegfried Idyll’, slides away to the right as you head out across the main arm of the
No better book about England’s victory in the football World Cup of 1966 and what followed it has ever been written. Duncan Hamilton’s Answered Prayers has the authority of a work of history and pulses with the narrative power of fiction. Its unlikely hero is Alf Ramsey. He emerges as a curiously complicated character through
The Irish novelist Anne Enright is now in her sixties. Her deceptively modest new novel, The Wren, The Wren, opens with a long section narrated by Nell, a woman in her early twenties living in contemporary Dublin. Nell scrapes by, ‘writing content non-stop’: travel pieces about places she’s never been to, stories for a wealthy
‘Of course I support the NHS. Everybody supports the NHS, or says they do,’ poked the comedian Frankie Boyle in one of the many campaigns promoting the health service. To admit you don’t believe in this national institution is as taboo as not caring about Britishness, about goodness, about people. The public is keen to
‘Is this all that these modern ladies’ novels are to be about? People?’ So asks the bewildered author of Old St Paul’s, The Lancashire Witches, The Tower of London and three dozen other forgotten blockbusters stacked with costumed folderol. In Zadie Smith’s sixth novel, William Harrison Ainsworth disapproves, in 1871, of hiscousin-housekeeper, Eliza Touchet, reading
