The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Filming of season three of Netflix’s House of Cards will begin in four weeks’ time in Maryland, creator Michael Dobbs revealed at Norman Tebbit’s book launch last night. Lord Dobbs, who was an advisor to Thatcher, said that he had to ‘tone things down a little bit’ to make the plot ‘credible’, although he’s clearly proud
Pop humpty-dumpty Michael Jackson has a new album out today. If that statement seems odd, you don’t know the half of it; five years after his death, Jackson is only on album number two. Compared to a trooper like Tupac – who still manages a couple of albums per year, despite having copped it in
I enjoyed Fraser’s preview of the Eurovision Song Contest; I had not known that he was such a fan. You work with someone for years, oblivious to their dark secrets, their strange peccadilloes. It was typically brave of him to come out, in public. I watched the thing, again. I thought the entry from The
I like Europe, even if this may not be the place to admit it, and I like this moment, when our brothers are forced to make fools of themselves in a language none bar the Irish can speak convincingly. Sauf les Français, obviously. ‘Ukraine will win. Europe has solidarity. You’ll see,’ says my European flatmate.
Seven million of us will be tuning in at 8pm tomorrow night for the Eurovision final, rising to nine million when the UK number is played. But what do we expect to see, and do we think it’s rigged? The Spectator’s Culture House Daily blog, in conjunction with YouGov, is able to give you an
Jankel Adler (1895–1949), a Polish Jew who arrived in Glasgow in 1941, was invalided out of the Polish army, and moved to London two years later. A distinguished artist in his own right, he turns out to have been a hidden presence on the English art scene, a secret influence on indigenous artists. He is
Glyndebourne, the great Sussex opera house, celebrates its 80th anniversary this summer. Hurrah! There is a new music director, too, 31-year-old Robin Ticciati. Hurrah! And he opens the season next week with a new production of Der Rosenkavalier directed by Richard Jones. Hurrah! Summer has begun. There are few finer plots of land to be
Like other species, artists club together in movements not just for purposes of identification but for longevity. Individuals who don’t belong to schools take longer establishing reputations during their lifetimes, and tend to lose them sooner after their deaths. Henri Le Sidaner (1862–1939) was one such individual: a contemporary of the Post-Impressionists who painted in
Off to the Gate for a special treat: a pious anti-war monologue from the prize-winning American George Brant. Curtain up. And within seconds all my preachy prejudices have fallen apart. The speaker is a female pilot in a jump suit sealed within a see-through cage. Slaying men is her vocation. Interesting! The story moves with
The film critic Anne Billson wrote a typically pugnacious piece recently about the phrase ‘guilty pleasures’, which has spread like Japanese knotweed beyond its origins in pop music and taken root throughout popular culture. In film a guilty pleasure would be something like Four Weddings and a Funeral, which we’re not ‘supposed’ to like because
I had high hopes for Julian Anderson’s first opera, Thebans. Premièred at the Coliseum last Saturday, it promised to mark a departure from the trendiness of ENO’s recent commissions, Nico Muhly’s Two Boys, for example, or the dreadful Sunken Garden — in fact, ENO’s next season seems to reflect a company at last a little
Frank is a music biopic, but only of sorts, as it is not at all like your average music biopic. It’s not that processional march we have come to expect; that chronological story of tough beginnings, the moment of discovery, tour montages, calendar dates flying, and finally making it big. In fact, this is about
There I was trapped in the bathroom at 10.55 p.m., unable to leave for fear of missing anything. The time it would have taken me to get to the bedroom, touch the screen of the digital radio, encouraging it to dawdle its way into life, was just too long, too risky. Vital information in the
Our love affair with the 1950s has been going on for years and shows no sign of abating. Pangolin London, the city arm of the Gloucestershire foundry, has cleverly used the visceral appeal of Fifties design — if ever a period merited the term gay in its original sense, this one does — to show
The Turner Prize shortlist has been announced, and includes a video artist who uses YouTube clips, an artist who pairs spoken word with slide shows and photography, and a historical documentary about African art. Among the four nominees for the most ‘prestigious and provocative’ contemporary art prize, not one of them is a traditional painter
You don’t expect to find a slice of Eton College in deepest Dalston, but tonight a distinctly posh Waiting for Godot opens at the Arcola Theatre. The Beckett play is being directed by Eton’s former head of theatre, Simon Dormandy, and his Vladimir and Estragon are Tom Palmer and Tom Stourton, two of his past
There are those to whom the word ‘volare’ means nothing. But for us Eurovision enthusiasts, it’s all starting with the opening ceremony tonight. Two semi-finals this week, then the big one on Saturday. It’s transmitting live in China, New Zealand and Canada this year – making Eurovision the most-watched non-sporting television event on the planet.
Last week, Tate Britain was one of six museums across the UK to be nominated for the Art Fund’s Museum of the Year award, an annual prize in which the winner receives the not inconsiderable sum of £100,000. A couple of weeks earlier, Waldemar Januszczak, the Sunday Times’s ‘cor blimey’ art critic (don’t get me wrong,
‘America,’ said John Updike, ‘is a vast conspiracy for making you happy.’ If that’s true, there have been few more successful conspiracies than the Broadway musical — that is, the ‘book’ (meaning ‘play’) musical — a dramatic form that blends drama of character and narrative with song and dance. ‘Words make you think thoughts, music
This exhibition examines a loosely knit community of artists and their interaction over a decade at the beginning of the last century. It is centred around the marriage of Ben and Winifred Nicholson (which began to split up in 1931), involves their crucial joint-friendship with Christopher Wood and a fruitful exhibiting relationship with William Staite
I was pleased to see that June Sarpong had added her weight to Kathy Lette’s petition to get a woman to present the BBC’s remake of Civilisation. I’ve often wondered what became of her after Five Go Dating, a show I used to watch religiously, and one which – if you’re listening, Channel 4 –
Every so often, John Deakin, jug-eared chronicler of Soho and hanger-on at the Colony Rooms, is breathlessly rediscovered as the unknown giant behind Bacon and the forgotten man from Soho’s generation of genius. All that is so much tosh: Deakin is no genius and he has not been forgotten. In fact, he can never be
Did you hear those bloodcurdling screams from Kirsty? Those long-drawn-out wails that echoed horrifically through the ancient walls of St Stephen’s Church last Thursday — in a strange, unwelcome echo of Nigel’s unfortunate descent from the roof of Lower Loxley in 2011? They were enough to make every woman’s blood run cold. Kirsty, the bride-to-be,
I was so looking forward to Generation War (BBC2, Saturday) — a three-part drama series covering the second world war from the perspective of five young men and women on the German side. Any nation capable of producing the ME-109, the 88mm gun and the Tiger tank, not to mention Das Boot, really ought to
Within the space of a few weeks we have had the rare chance of seeing the two great torsos of Russian opera, Borodin’s Prince Igor, unfinished because the composer was often otherwise engaged, and Musorgsky’s Khovanshchina, unfinished because its composer died of drink. Prince Igor at the Coliseum was musically magnificent, and dramatically utterly absurd,
Blue Ruin is a low-budget yet highly accomplished revenge thriller although whether you have the stomach for it is another matter. I do not have a strong stomach, as we know, and as I braced myself for the next startlingly bloody burst of violence, having yet to recover from the last startlingly bloody burst of
I did not mean to snort so loudly. There I was watching the amazing Simon Russell Beale in King Lear at the National Theatre and things were all getting a bit nasty — what with daughters scheming and people having their eyes gouged out. And then, through a small earpiece, which no one else could
Cripes. How did I get that one wrong? A few issues back I blithely predicted that Harry Hill’s musical I Can’t Sing would run for three years. It closes this month, so I’m a little reluctant to praise another glittering comedy, Relative Values by Noël Coward, which, like Hill’s stricken satire, has received a few
To curate a festival these days is to put oneself in the firing line. There is every chance that all one will earn is the charge of stirring up apathy. It is a risk; and there will be no knowing how it has gone until it is much too late to withdraw gracefully. In the