Andrew Lambirth

A fresh perspective on reassuringly familiar artists

Go around the new exhibition of familiar British modernists at Kettle's Yard and you will constantly be provoked into thinking, ‘Who’s this by?’

‘Herring Fisher’s Goodbye’, 1928, by Christopher Wood [Getty Images/Shutterstock/iStock/Alamy]
  • Comments

  • Art and Life: 1920–1931: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis & William Staite Murray

    Kettle’s Yard, Cambridge, until 11 May

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Because you read about art

Also by Andrew Lambirth

Latest

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in