Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The brilliant fun of Bryan Ferry’s The Jazz Age

Music

When you can do anything you like, what do you do? In Bryan Ferry’s case, the answer seems to be ‘make a 1920s instrumental jazz record out of some of my old songs’. I have to admit that the mere idea of The Jazz Age (BMG), which is credited to The Bryan Ferry Orchestra, appealed

The Place Beyond the Pines – don’t read this review!

Cinema

The Place Beyond the Pines stars both Ryan Gosling and Bradley Cooper — you spoil us, ambassador! — and is a generational feud film about fathers and sons and legacy. Can anyone be born clean? How do past events reverberate? How might one act of violence play out, years later? It is written and directed

Richard Wagner at 200

Music

‘The overpowering accents of the music that accompanies Siegfried’s funeral cortège no longer tell of the woodland boy who set out to learn the meaning of fear; they speak to our emotions of what is really passing behind the lowering veils of mist: it is the sun-hero himself who lies upon the bier, slain by

Scan

More from Books

I shall be radioactive For eight hours afterwards And must be careful To avoid intimate contact. The prospect of this Alarms me, but what now Suddenly comes to mind Is just how alone I felt Standing in Hereford Cathedral October 1962 Beside the Mappa Mundi With Krushchev banging on As nuclear war seemed Unavoidable, that

Steerpike

Newt Gingrich’s Downton downtime

Newt Gingrich has a new love. ‘It’s a great study of plot,’ the failed Presidential runner and former Speaker of the House told Slate magazine. He was not referring to a ’90s sleaze inquiry, or the reasons why he lost to Mitt Romney. The object of his obsession is our very own Downton Abbey. In

George Bellows; Sydney Lee RA

Exhibitions

The American artist George Bellows (1882–1925) is best known for his boxing paintings, but as this surprising exhibition reveals, that was only the half of it. We don’t really know his work in this country, apart from the odd picture in a mixed show, but here is indisputable evidence that we have been missing out.

Weeknd’s world

More from Arts

There was something vaguely disappointing about seeing Abel Tesfaye appear on stage at London’s Electric Ballroom. A wide-eyed, puffa-jacket-clad figure isn’t what you expect from his enigmatic alter-ego ‘The Weeknd’ — it seemed incongruous that we should watch this self-styled introvert performing to an audience. At 23 years old, Tesfaye (aka The Weeknd) has released

Noise – A Human History

Radio

You could say that Neil MacGregor revolutionised radio with his mega-series A History of the World in 100 Objects. In each of those 100 programmes he took us on an extraordinary journey of the mind, to show us what we’ve been up to since the first ‘primitive’ reindeer carvings of the Ice Age. He did

Composition and catharsis: Review of ‘A Late Quartet’.

Cinema

Why the sudden spate of movies about classical music quartets and impending death? Early this year, we had Quartet, about four senior singers in a retirement home. Now we have A Late Quartet, about a string ensemble facing the loss of one of its members. The film industry couldn’t possibly be subliminally associating classical music

Parsifal at Salzburg Easter Festival

Music

To hear Christian Thielemann conduct the Dresden Staatskapelle in Wagner’s ‘stage consecration play’, in Salzburg at Easter, proved a musical experience that could only deepen anybody’s love of this extraordinary opera. To see it was another matter, as it often is. But let us first praise the musicians who, guided by their conductor, gave it

Jonathan Slinger’s Hamlet

Theatre

In his ‘Love Song’, T.S. Eliot’s ageing bank-clerk J. Alfred Prufrock protests he isn’t ‘Prince Hamlet, nor was meant to be…’. David Farr’s new production sets out to put this to rights. The result is indeed a very strange affair. It is built around Jonathan Slinger, who last season starred memorably as Prospero in The

Lloyd Evans

Peter and Alice

Theatre

Inspired writer, John Logan. His 2009 play, Red, delved brilliantly into the gloom-ridden, suicidal mind of the misanthropic modernist painter Mark Rothko. The play’s unflinching and sordid honesty earned the author, and his director Michael Grandage, a bagful of gongs on either side of the Atlantic. The pair have reunited for Logan’s new play, Peter

The ideal place to hear classical concerts

Music

What sort of room do you prefer to hear classical concerts in? We have all got used to industrial-strength symphony halls and opera houses, capable of holding 3,000 people, with dry acoustics and omni-look interiors. As with art galleries around the world, once inside you could be anywhere: there is little to tell you which

Grumarí

More from Books

The leaves  hardly breathe   and snakes  loop round the branches,  soaking up heat   from cars parked  nose to tail outside  the seafood   kiosk by  this savage southern   beach where  the leaves hardly breathe  and snakes   loop round  the branches, soaking up heat  from cars parked   nose to tail  outside the seafood  kiosk by   this savage

Steerpike

Michael Dobbs tight lipped on House of Cards plot

It was a gamble that seems to have paid off. American online entertainment giant Netflix commissioned their first ever original series with a Washington adaptation of Lord Dobbs’s classic, House of Cards. According to its star, Kevin Spacey, the show is today the most watched ever on the service. Season one ended on a cliff hanger

Cross examination

Arts feature

As Easter comes upon us in this bitter spring, many of us are drawn to contemplate the mystery of Christ’s passion: his Crucifixion, Resurrection and Ascension into Heaven. You don’t have to go to church to do this, for reverie or prayer can take place in a quiet landscape or by a cosy fireside, but

The Angel of the Odd: an exhibition that ends with a satisfying shiver

Exhibitions

To some extent, all Romanticism has its origins in darkness, coming in the wake of the 1755 Lisbon earthquake that introduced fear into the age of reason. ‘Reason’s Sleep Produces Monsters’ proclaims the opening drawing in Goya’s series ‘Los Caprichos’ (1797–99), which features in this entertaining exhibition. After all the cruelties that man had inflicted

Caitlin Rose’s The Stand-In: a fantastic album from a fantastic girl

More from Arts

Caitlin Rose, Caitlin Rose, Caitlin Rose. I’d feel awkward admitting that I’m rather obsessed with this Nashville chanteuse, were it not for a mitigating truth: you should be, too. Her debut album Own Side Now, released in 2010, was proof enough of her sweltering talent. And now we have a follow-up, The Stand-In, that’s superior

Come together | 28 March 2013

Radio

‘That’s the power of ritual,’ said the Chief Rabbi, Jonathan Sacks, on Thought for the Day last week. He was thinking particularly of the Jewish festival of Passover with its ritual gathering of the family to eat unleavened bread and bitter herbs as a re-enactment of the experience of exile and slavery. ‘It’s an expression

Trance: not Danny Boyle’s finest hour

Cinema

Obviously, we all love Danny Boyle and want to have his babies — I’d like at least two of his babies — but his latest film, Trance, is a horrid mess. A psychological take on the art-heist film, it is miscast, iffily acted, confusing, implausible (to the extent I never fully understood what was happening)

Lloyd Evans

The Book of Mormon is toothless, jokeless, plotless and pointless

Theatre

Impossible, surely. The Book of Mormon could never live up to the accolades lavished on it by America’s critics. ‘Blissfully original, outspoken, irreverent and hilarious,’ was a typical review. The three authors are formidably gifted. Trey Parker and Matt Stone gave us South Park, while Robert Lopez is the co-writer of Avenue Q. As a

Lloyd Evans

‘In the beginning was breath’

Theatre

Declan Donnellan is riding high. His acclaimed production of the burlesque classic Ubu Roi has confirmed his membership of the elite group of British directors who enjoy renown across Continental Europe and beyond. The critics cheered his French-language production of Alfred Jarry’s anarchic satire when it reached Paris earlier this month. The show, created by