The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
A few years ago, I was sitting in the London Library researching a book about blind people across the ages. As a semi-blind person myself, I sighed at the lack of women, other than the endlessly chipper Helen Keller, who never had a bad day. Ever. My sister, however, drew my attention to a two-line
‘You may think our modern world was born yesterday,’ said Simon Schama at the beginning of The Romantics and Us. If you do, though, I can only imagine that you’ve never seen any history documentaries on television — where, as a rule, the modern world is born in whatever period the documentary happens to be
If you’ve been listening to The Archers lately, you’ll know how tedious monologues can be. The BBC has received so many complaints about the stream of soliloquys that has dominated the episodes since lockdown, that Mohit Bakaya, controller of Radio 4, has been compelled to issue an apology. The new format — introduced so that
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin with low flint walls, a banked rampart and a single stone column. Historians estimate that the circular space, measuring about 40 yards in diameter, would have enabled 7,000 spectators to watch plays, gladiatorial contests and
Conservationists are frequently criticised for focusing on glamorous species at the expense of others equally important but unluckily uglier — pandas rather than pangolins, birds rather than bats, and monkeys rather than mole-rats. Europe’s frankly lumpy largest rodent, the European beaver, Castor fiber, is therefore fortunate to have found an ardent advocate in Derek Gow.
In the early 1920s a French businessman, Leon Bel, was looking for a name for his new brand of processed cheese. He remembered seeing a meat wagon on the first world war battlefields with the sardonic name ‘La Wachkyrie’. Like the Valkyries in Wagner, it brought solace to fallen soldiers in the field. Bel thought
The biologist Merlin Sheldrake is an intriguing character. In a video promoting the publication of his book Entangled Life, which explores the mysterious world of fungi, he cooks and eats mushrooms that have sprouted from the pages of a copy of the book. In another video, the double bassist Misha Mullov-Abbado ‘duets’ with a recording
One hot summer’s morning, as a nine-year-old girl living on the rim of a Scottish loch in the hotel owned by her parents, Sue Black was unaware she was about to ‘leave those days of innocence behind’. A man delivering groceries sexually assaulted her. Many years later, Black imagines how this unspeakable childhood trauma might
‘Free Tibet!’ used to be a rallying cry for Hollywood A-listers and rock stars. Richard Gere hung out with the Dalai Lama; the Beastie Boys organised a series of giant benefit concerts. Global attention has shifted to other regions suffocating under the jackboot of the Chinese Communist party (CCP), notably Xinjiang and Hong Kong. But
Never was a monarch so undone by water as Henry I. A fruit of the sea killed him in 1135: he ate too many lampreys, a jawless, parasitic fish that sucks its prey to death. But the tragedy of his reign occurred 15 years earlier. At the most ill-fated party of the Middle Ages, his
When I studied anthropology back in the early 1980s, Neanderthals were still largely the bulk-browed brutes of yore, grunting in smoky caves and loping across the tundra. Their vanishing from the fossil record some 40,000 years ago was a result of competition, along with a little interbreeding, with our own forebears. The story, as I
Rose Tremain has followed her masterly The Gustav Sonata with an altogether different novel. In 1865, Clorinda Morrissey, a 38-year-old woman from Dublin, arrives in Bath and sells a ruby necklace in order to set up Mrs Morrissey’s High Class Tea Rooms. Mrs Morrissey believes that ‘the future was going to be perfumed with raspberry
It’s easy to forget that John F. Kennedy lived such a short life. At 43, he was the second youngest president in history; when he died, he was younger than Barack Obama was in 2009. Kennedy’s presidency was brief —‘a thousand days,’ as the historian and Kennedy confidant Arthur Schlesinger Jr memorably put it —
It is often said that the left does not understand human nature. Yet it is difficult to think of anything as antithetical to Homo sapiens as the notion, popularised by free marketeers during the 1980s, that people would willingly evacuate those parts of Britain where ‘market forces’ had decreed that collieries and steelworks were no
Sophie Macintosh’s Blue Ticket is not classic feminist dystopia. Yes, it is concerned with legislated fertility, a world where women’s bodies are monitored like science projects by condescending medics.But the horror here is not impregnation but unwanted childlessness. Blue tickets, dispensed (randomly? It’s not clear) by a machine on a girl’s first bleed, decree a
The West End was always something a little apart. Some years ago, I used to go drinking with a man who had jointly run one of the best Soho live music clubs of the late 1950s and 1960s. He told me that they received a visit in their early days from the Kray brothers demanding
Our college choirmaster had a trick that he liked to deploy when he sensed that we were phoning it in. He ordered us out of the choirstalls and positioned us at random all over the chapel. It was sadistic but effective. With nowhere to hide, there could be no quiet fudging of that awkward leap
The Painted Bird opens with a young boy (Jewish) running through a forest and clutching his pet ferret. He is being chased by some other boys (not Jewish) who beat him to the ground, douse his ferret in petrol and set it on fire. The boy watches as his pet burns alive and I don’t
For nearly six months our subsidised playhouses, notably the National Theatre, have been dark. What have we missed? Not much. Some would say nothing at all. And this has come as a surprise to those of us who were led to believe that the subsidised theatre is critical to ‘the national conversation’. It turns out
It sometimes rains in Cookham. It rained all day when I visited the Stanley Spencer Gallery to see the exhibition Love, Art, Loss: The Wives of Stanley Spencer. But it rarely rained for Spencer, or at least never in his pictures of his hallowed birthplace, where even when skies are grey the red brick of
Mulan is Disney’s latest live-action remake, coming in at 120 minutes, compared with the 1998 animation, which ran to 80. So it’s a third longer, and very much seemed it — and half the fun, if that. No songs. No jokes. No crazy grandma. No Eddie Murphy. Instead, this is a workaday action-adventure that is
The one thing everyone agrees is that the Southbank Centre is in deep trouble. In May, the institution made an unusually public plea for government help. Management predicted the best-case scenario was ending the financial year with a £5 million loss, having exhausted all reserves, used the £4 million received from the furlough scheme and
The Royal Albert Hall, as Douglas Adams never wrote, is big. Really big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. Which is great if you want a colossal audience; less great as a venue for classical music. True, sound engineers have brought us a long way from the 19th century, when
Joseph Conrad’s death made Graham Greene feel, at 19, sitting on a beach in Yorkshire, ‘as if there was a kind of “blank” in the whole of contemporary literature’. Greene’s own death in 1991, aged 87, had a similar effect on many younger writers, myself included. For John le Carré, his most obvious successor, Greene
Like Ottessa Moshfegh’s first novel Eileen (2015), Death in Her Hands plays with the conventions of noir. Vesta Gul, a recently widowed 72-year-old, lives in a secluded lake cabin in rural New England. Walking her dog one day in the woods, she finds a cryptic note under a rock: ‘Her name was Magda,’ it reads.
In Money for Nothing, Thomas Levenson brings us into the story of the South Sea Bubble by writing about the development of the mathematics of odds and prediction. These advances were the beginnings of actuarial science: an understanding of risk that underpins insurance. We start with Isaac Newton and his role in attempting to stabilise
Britain’s two most famous legendary figures, King Arthur and Robin Hood, remain enduringly and endearingly elusive, and thus ever-fascinating: Arthur slumbering in the mists of nebulous Avalon, Robin as a hardy perennial somewhere deep in Sherwood Forest. Historians, folklorists, Eng Lit academics and cranks — the list is not mutually exclusive — enter these realms
Staying with Peregrine Eliot (later 10th Earl of St Germans) at Port Eliot in Cornwall, Lucian Freud remembered that the Eliots ‘ate off solid silver plate, even shepherd’s pie’. In 1968, Freud was having an affair with Perry’s wife Jacquetta. According to her, it was an addiction: ‘Completely hooked, a dreadful drug…’ After two turbulent
Parents are always terrified of bad family history repeating itself. Prince Albert dreaded his son Bertie turning into a roué like his own father, and this of course happened. Charles Dickens had fantasised in David Copperfield that the jokey version of his own father — Mr Micawber — would become a success in life by