Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

In just eight years Selim I became ‘God’s Shadow on Earth’

More from Books

Faber must take a rather dim view of British readers’ historical awareness these days. This is a biography of one of the greatest Ottoman sultans in the empire’s 600-year history, yet the publishers cannot bring themselves to mention his name in the book’s title. Perhaps they thought Selim I was too obscure, and maybe they’re

Alex Massie

Sport, for the English, has always been a defiant assertion of liberty

Lead book review

The English cannot be understood without some appreciation of their attachment to their games, and yet this is an area of their story often overlooked by historians. Or perhaps it is simply considered beneath their interest. This is the central message of Robert Colls’s superb account of England viewed through the medium of its sports

Hats (and knickers) off to the hosts: The Naked Podcast reviewed

Radio

I spent half an hour this week listening to a woman make a plaster cast of her vulva. Kat Harbourne, co-host of The Naked Podcast on BBC Sounds, opened a recent episode by buzzing her bikini trimmer over the microphone before squatting over a British Airways peanut dish. Jenny Eells, her partner in crime, stood

Why have they made Pinocchio look like Freddy Krueger?

Cinema

Matteo Garrone’s live-action version of Pinocchio is visually sumptuous and there are some enchanting characters (my favourite: Snail). And unlike Disney’s version (1940) this is, apparently, far more faithful to the darker, original 1883 tale by Carlo Collodi, even if the Disney version was quite dark enough for some of us. (I screamed so much

Who is telling the truth in Kate Reed Petty’s True Story?

More from Books

This debut novel, which opens with ‘a high- school lacrosse party in 1999 and the rumour of a sexual assault,’ is billed as one story told in four different genres: memoir, horror, noir and thriller. It even has four covers. There is a reason for this, as Kate Reed Petty explains in an author’s note:

Rod Liddle

There’s scarcely a dull track: Deep Purple’s Whoosh! reviewed

Pop

Grade: B+ Less deep purple than a pleasant mauve. Ageing headbangers will note a lack of the freneticism that distinguished Fireball and ‘Highway Star’. But by the same token they may be relieved that there are no six-minute drum solos, songs about the devil, or Jon Lord demonstrating that he can hammer the organ fairly

Lloyd Evans

The New Normal Festival shows how theatre could return

Theatre

So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first press night since March took place at a monumental Victorian building in Wandsworth where concerts are staged in an open-air courtyard. The entry process was less fussy than I’d expected. I didn’t need my phone

Unreliable memories: Laura Laura, by Richard Francis, reviewed

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Just imagine: you reach a certain age and you become your own unreliable narrator. Gerald Walker, the protagonist of Richard Francis’s 12th novel, is a retired history professor who fears that ‘chunks of his life might go missing’. Laura Laura describes a year in his life which, in seamless flashbacks, encompasses most of his past.

When Paris was the only place to be

More from Books

For more than 100 years Paris has been as much a symbol and a myth as a geographical reality. The enchantment dates back to the end of the 19th century, when ‘le bordel de l’Europe’, in words quoted by Marie-José Gransard, was transformed into ‘la capitale de l’amour’. In Twentieth Century Paris she traces the

The crusaders were not such incompetent zealots after all

More from Books

One of the strange effects that modernist, progressive society has had on what the French Annales school would refer to as our civilisation’s mentalité is the almost complete attenuation of memory about what the crusades were, why they were fought and what part they played in a multi-century struggle between two successful, expansionary and universal

Magic and miasma: Mordew, by Alex Pheby, reviewed

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Mordew ain’t the kind of place to raise your kids, as Elton John nearly sang. If they escape the ravages of lung worm, then they could stray into the Living Mud — a foul, oozing substance that spawns barely animate beings called ‘dead-life’. That’s if they avoid being packed off to serve the Master, the

The pleasures — and trials — of knowing Bruce Wannell

More from Books

Bruce Wannell was by some way one of the most charismatic travellers I have ever met. Despite his almost complete penury, he would dress in perfectly tailored cashmere and, with a shawl swept over his shoulder, fix his attentive listeners with a glittering eye and a voice that could sweep dangerously low when he was

A toast to brotherhood: Summer, by Ali Smith, reviewed

More from Books

The concluding novel of Ali Smith’s seasonal quartet is a family affair. Her intergenerational group of seeming strangers from the past three novels find themselves flung together at the eroding eastern edge of England. Daniel Gluck, our centenarian from Autumn, now 104, has been moved out of his care home (thank God, given that we

The Big Tech firms are dividing the world between them

Lead book review

To look upon a freshly painted wall is to behold a smooth surface; to look at it through a magnifier is to see a rough and irregular landscape — but turn the magnification up sufficiently and see it become regular again, a geometric matrix of atoms held in molecular bonds. Keep magnifying and you enter

Figurative painting is back – but how good is any of it?

Exhibitions

An oxymoron is a clever gambit in an exhibition title. The Whitechapel Gallery’s Radical Figures: Painting in the New Millennium is designed to trigger the reaction: ‘Radical? Figures?’ before revealing quite how radical the figure can be. But like all good marketing, it is deceptive. Figurative art may have been consigned to history by Clement

Heavy-handed satire and schmaltz: American Pickle reviewed

Film

American Pickle is a comedy based on a short story by Simon Rich, originally published in the New Yorker, and I was sold on the synopsis alone: ‘An eastern European Jew falls into a vat of pickles and is brined for 100 years before emerging in modern-day Brooklyn.’ It’ll be a fish-out-of-water film like Crocodile