The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
In Britain today, Islam in its original essence is not to be found in mosques or Muslim schools, but on the first floor of the British Museum. There, the Albukhary Islamic gallery, newly opened to the public, dazzles visitors and defies every certainty promoted by today’s hardline Muslim activists. This spectacular exhibition of objects from
The sixth and final season of House of Cards has begun without Kevin Spacey, who played the murderous Democratic American president Frank Underwood. Netflix fired Spacey when he was accused of multiple sexual assaults last year, although he is not yet charged with any crime. The longed-for dénouement of Frank Underwood — the moment when
Who could possibly take exception to the Stoics? One of the more passive arms of Hellenistic philosophy, Stoicism required its followers to believe in a world where virtue was all, worldly goods were trivial and everything was predetermined. Perhaps you might take exception to this last pillar of faith, since it leaves us dangerously close
In this week’s books podcast I’m talking to Ben Schott. The author of Schott’s Miscellany, Ben’s literary productions have taken an unexpected turn with the publication this week of his first novel. Jeeves and the King of Clubs is a tribute or companion piece to P G Wodehouse’s Jeeves and Wooster novels, published with the
As travel writer, nature writer, memory retriever and, I would add, prose-poet of mesmerising lyricism, Horatio Clare is a celebrant and observer of what is lovely, less lovely and sometimes, thankfully, absurd in the world. But Clare has come to fear winter. Recently the season has sapped his emotional and creative energy, masking his joy
Who says that the ‘great man’ theory of history is dead? Following hard on the heels of Andrew Roberts’s magnificent biography of Churchill comes this equally well-written life of another superman who bestrode his era and all Europe like a colossus. Although Adam Zamoyski is at pains to insist that his subject was an ordinary
In a living room in Vineland, New Jersey, in the 1870s, a botanist and entomologist named Mary Treat studied the activities of carnivorous plants and reported her findings to her colleague, Charles Darwin (Treat is extensively referenced in Darwin’s Insectivorous Plants). Treat also corresponded with others — Charles Riley, Asa Gray — about these plants,
‘What!’, railed Voltaire in his Dictionnaire Philosophique of 1764. ‘Is it in our 18th century that vampires still exist?’ Hadn’t his Enlightenment rationalism seen off such sub-religious voodoo? Well no, mon frère, it hadn’t. In fact, here we are, a quarter of a millennium on, and those vampires are still with us. Films, rock concerts,
A genre of memoir currently in vogue involves entwining the author’s personal story with the cultural history of a given phenomenon, so that each may illuminate the other. Mellow introspection and anecdotal whimsy are spliced with tidbits of cultural criticism; the prose is meandering and associative rather than linearly expository. This format can feel a
This is a sentence. As is this — not an exceptionally beautiful one, but a sentence all the same, just telling you what it needs to tell you, just getting on with things, doing its job. Sentences are everyday, functional things, ubiquitous and unappreciated. And Joe Moran thinks it’s about time we started noticing them.
America has for years been struggling with a shortage of the drugs it uses to execute people, yet it was only in August, in Nebraska, that the first judicial killing using opioids was performed. Aside from moral questions about the death penalty itself, the resistance for so long to this obvious solution denotes a particularly
Jonathan Coe writes compelling, humane and funny novels, but you sometimes suspect he wants to write more audacious ones. He has a long-standing interest in formally experimental writers — Flann O’Brien and B. S. Johnson are heroes — but it’s an interest that has never really become full-blown influence. Though The Rotter’s Club (2001) —
The reader of Edward Carey’s Little must have a tender heart and a strong stomach. You will weep, you will applaud, you will wonder if your nerves can take it, but most of all you will shudder. In this gloriously gruesome imagining of the girlhood of Marie Tussaud, mistress of wax, fleas will bite, rats
This passionate series of engagements with the life of St Francis will stay in my mind for a very long time — I hope forever. Ann Wroe describes it as ‘A Life in Songs’, and it does, indeed, rehearse the familiar story of the rich young merchant’s son dispossessing himself, and giving his life to
There is an African bird called the ox-pecker with which Germaine Greer, conversant as she is with the natural world, will doubtless be familiar. Oxpeckers ride on the backs of large mammals — giraffes, buffalo, wildebeest and the like — feeding off their lice. Once thought an example of mutualism, the relationship between diner and
When it was released as a single, Bohemian Rhapsody was slated by the critics – yet went on to be the most popular commercial record in history. Ben Elton’s Queen musical, We Will Rock You, was panned by reviewers when it was released 16 years ago: today, it’s still packing in crowds the world over.
Just in front of me, visiting Spellbound at the Ashmolean last week, was a very rational boy of about seven and his proud mother. ‘I don’t believe in magic, witches or Father Christmas,’ he announced to the girl presiding over Room One. ‘Perhaps you’re spiritual but not religious,’ said the girl. The rational boy gave
Ennio Morricone, the Oscar-winning Italian film composer, has died at the age of 91. Here, Richard Bratby spoke to the ‘Maestro’. Ennio Morricone’s staff wish it to be known that he does not write soundtracks. ‘Maestro Morricone writes “Film Music” NOT “Sound Tracks”’, explain the printed interview guidelines. ‘Maestro Morricone is a composer. Composers do
There is a moment in Bohemian Rhapsody when the screen swims with print. The reviews for Queen’s epic new single are in, and they unanimously denounce the song as a vacuous and bloated irrelevance. This feels like a brazen hostage to fortune for a biopic whose botched gestation saw writers, stars and directors roll on
‘How did this mild-mannered eye doctor end up killing hundreds of thousands of people?’ someone wondered about Bashar al-Assad in BBC2’s extraordinary three-part documentary A Dangerous Dynasty: House of Assad (BBC2, Saturday). It’s a question we’ve all occasionally pondered as the Syrian body count rose — 500,000 thus far — and as six million refugees
Like it or not, provincial ballet audiences love a story they can hum and any director planning to tour a swan-light, sugar plum-free menu has always done so at their peril. Tchaikovsky isn’t compulsory: a really well-known story, however undanceable, can usually do decent business (Northern Ballet’s extremely silly Three Musketeers is a reliable granny-magnet).
Stories by Nina Raine is a bun-in-the-oven comedy with a complex back narrative. Anna, in her mid-thirties, had a boyfriend 12 years younger than her but the relationship died just as Anna was ready to sprog. Aged 38, and desperately broody, she needs to get preggers pronto. We join her on a Sperm Quest. Though
‘I’m not here to rehabilitate,’ says Pamela, who teaches creative writing to prisoners in Northern Ireland. She doesn’t think of her work as being about bars, bare walls and what happens when they leave jail. It’s all about meeting the prisoner as a person. She soon realised ‘how different prison writing is’. It’s much more
Wolverhampton; Workington; Blackburn; Sheffield; Lancaster; Hackney. Every year English Touring Opera does what our national opera company doesn’t: packs up its props and takes to the road, bringing opera to the bits of the UK other companies don’t even think about reaching. And not just Traviatas and Toscas either, but properly interesting, often unusual, repertoire.
‘I have fallen in love many times in my consulting room,’ writes the psychotherapist Jane Haynes. ‘I do not mean that I want to have an explicit sexual relationship,’ she clarifies. That said, she describes herself as the Desdemona of the consulting room, falling in love as she listens to ‘someone share the pity of
The Romans invoked Fortuna, the goddess of luck, to explain the unexplainable; fortune-tellers study tea leaves to predict the unpredictable. In Blueprint: How DNA Makes Us Who We Are, Robert Plomin defies the ancients and the mystics, promising that your fortune can be predicted and explained by your genes. Plomin is a psychologist who built
In the 1970s, when Mark Kermode first picked up an instrument, the UK record business was a very different place. There were five weekly music papers — NME, Sounds, Melody Maker, Record Mirror and Disc. Around 15 million people tuned into Top of the Pops every Thursday; Radio 1 reached more than 20 million listeners
A lingeringly strange atmosphere hangs about Benjamin Wood’s third novel, in which the settings and paraphernalia of a new wave of British weird fiction — old children’s TV series, rustic bloodletting, the starkness of the northern landscape — encroach steadily on a retrospective story of childhood murder and deceit. The setting is northern England in
