The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
As naturalist, educator and writer, John Lister-Kaye was for many years a voice in the wilderness. In 1976, when nature conservation was still considered a benign eccentricity, he moved into a crumbling estate in the Scottish highlands. Taking as its credo a text from Gavin Maxwell —‘I am convinced that man has suffered in his
If you had to choose one book that both typified spy fiction and celebrated what the genre was capable of doing, then John le Carré’s The Spy Who Came in From the Cold is probably the one to go for. Published in 1963, and set within the comfortably binary framework of the Cold War, it
In W.B. Yeats’s ‘Meditations in Time of Civil War’, a testing allusion emerges amid a scene of nightmare: Monstrous familiar images swim to the mind’s eye ‘Vengeance upon the murderers,’ the cry goes up ‘Vengeance for Jacques Molay.’ More about de Molay, last master of the Knights Templar, can be found in Dan Jones’s new
From 1945 to 1992 the Cold War was the climate. Individual weather events stood out — the Korean War, the Cuban missile crisis, the Hungarian and Prague uprisings, the fall of the Berlin wall — but the possibility of nuclear annihilation, the great divide between the broadly capitalist West and the broadly socialist East and
In 1824 an ambitious teenage actor fled to England from his native New York where he had been beaten up once too often. He built a career here, being billed as ‘a Most Extraordinary Novelty, a Man of Colour’. What audiences encountered, however, was not the expected comedy of a simpleton mangling the Bard. They
Stand in front of ‘Fall’, a painting by Bridget Riley from 1963, and the world begins to quiver and dissolve. Something you normally expect to be static and stable — a panel covered with painted lines — undulates and pulses. In addition to just black and white, the pigments actually present, other hues appear and
Against by Christopher Shinn sets out to unlock the secrets of America’s spiritual malaise. Two main settings represent the wealthy and the dispossessed. At a university campus, an inquisitive Jesus-freak named Luke interrogates people about their experiences of violence. At an online retailer, oppressed wage slaves toil for hours and mate fleetingly during their tea
No, The State (Channel 4) wasn’t a recruiting manual for the Islamic State, though I did feel uneasy about it throughout the four episodes. The fundamental problem is this: if you’re going to make a watchable drama about bad people doing terrible things, you inevitably have to humanise them. And from there it’s just a
Una is a psychological drama about a woman who was abused by a man when she was 12, and who confronts him 15 years later, and it’s a hoot. I’m toying with you. Of course it isn’t. It’s disquieting. It’s disturbing. It’s difficult. It’s 90 minutes of uncomfortably shifting in your chair and wishing you
Three weeks before Classic FM launched, I was on the radio in Hong Kong, introducing hits by Rick Astley and Wet Wet Wet. I’d just turned 21, and was working as a presenter for British Forces Radio. A phone call came from London. ‘My name is Michael Bukht. I’m setting up a new radio station
In Absolute Friends, one of John le Carré’s lesser works, the central character explains his rebirth as a left-wing firebrand, radicalised by Britain’s support for America’s invasion of Iraq. ‘It’s the old man’s impatience coming on early,’ he says. ‘It’s anger at seeing the show come round again one too many times.’ This is followed
Towards the end of his life, Robert Louis Stevenson travelled widely in the central and southern Pacific Ocean. As well as the region’s exotic reputation, he was drawn by hopes that its benign climate would alleviate his chronic bronchial problems. In 1889 he arrived in Samoa and decided to settle there. He was a hit
The title of this book, By the Pen and What They Write, is a quotation from the Qur’an and comes from the opening of the ‘Surah al-Qalam’ (Chapter of the Pen), in which the authority of the cosmic scribes in heaven, whose writing determines the fate of humanity, is invoked in order to authenticate the
This week, in the books podcast, I talk to Harriett Gilbert – who has a good claim to be the voice of books on radio. With the 15th anniversary of the BBC World Service’s World Book Club (nine Nobel and 17 Booker winners have been guests to date), which she’s presented from its first episode
If someone was to lob the name Antigone about, many of us would smile and nod while trying to remember if this is the one about the guy who shagged his mum or the parent who offed their kids. (Bit of both.) For those whose Sophocles is hazy, let me summarise. After a civil war
Hidden behind Kensington Palace, in one of London’s smartest streets, there is a grand old house which played a leading role in Britain’s victory over Nazi Germany. Today it’s owned by Roman Abramovich, apparently — it seems he paid £90 million for it. But during the second world war, and for a few years thereafter,
‘I frankly hate Descartes,’ states a character in Nicole Krauss’s new novel, Forest Dark: ‘The more he talks about following a straight line out of the forest, the more appealing it sounds to me to get lost in that forest …’ Like the author, this character is called Nicole, lives in Brooklyn, and is a
Patrick McGrath is a master of novels about post-traumatic fragmentation and dissolution, set amid gothic gloom. His childhood years spent at Broadmoor, where his father was medical superintendent, have given him a solid grounding in psychiatric illness for these disquieting dramas. His ninth novel is set in London’s theatreland in 1947, and the grey, skeletal
Fantastic fiction loves contrasts made explicit: Eloi and Morlocks, orcs and elves, and above all humans battling vampires, Martians or robots. Small wonder that Claude Lévi-Strauss specifically invoked science fiction for his theory of ‘binary opposition’. Sometimes these tensions are in the mise-en-scene — not just Earth vs. outer space, but settings — Lilliput and
The Red-haired Woman is shorter than Orhan Pamuk’s best-known novels, and is, in comparison, pared down, written with deliberate simplicity — ostensibly by a narrator who knows that he is not a writer, but only a building contractor. Polyphonic narratives are replaced by a powerful, engaging clarity. This simplicity is the novel’s greatest strength, yet
If there were a prize awarded to the book with the best opening line, A. N. Wilson would be clearing a space on his mantelpiece. ‘Darwin was wrong’, he announces at the start of this hugely enjoyable revisionist biography, which will be read in certain scientific circles to the background noise of teeth being ground
Iain Sinclair is leaving London — like the croakiest of the ravens taking flight from the Tower. It is a proper blow: across five decades, he has been prowling the streets, part poet, part satirist, part prophet. Very few authors have fashioned a London more real than the one we see: Dickens, Conan Doyle, Patrick
Few publishing phenomena in recent years have been as gratifying as Chris Kraus’s cult 1997 masterpiece I Love Dick becoming a signifier of Twitter and Instagram chic. The ‘lonely girl phenomenology’ it exemplified has now attained cultural status, with first person, inventive writing by women often enjoying centre stage. It’s interesting, then, that just as
If you were to compare Mozart to a bird it wouldn’t be the starling. Possibly the wood thrush or nightingale, with their beautiful, haunting songs; or maybe the lyrebird with its astonishing ear for imitation; or perhaps the composer would find his match in the exotic rarity of the ivory-billed woodpecker or giant ibis. But
Imagine yourself a middle-class person in England in the 1870s. You sit down to drink a cup of tea while reading The Spectator. It probably doesn’t cross your mind, but in your hand you hold products from around the world. Your tea is from Ceylon, the sugar in it from Jamaica, and your porcelain cup
Another season of Game of Thrones is over, and nobody knows when it will return. After a run of seven short weeks, last night’s extended ‘The Dragon and the Wolf’ brought the curtain down on Westeros for the time being, except the curtain here was the colossal wall of ice that is the last barrier
Last year, Gary Hume made a painting of himself paddling. At a casual glance, or even a longer look, it might not appear to be what it is. What you see is a wrinkled, pinkish surface with a sort of dome of curving green and blueish shapes at the bottom. This, to Hume, is a
Schoenberg began Gurrelieder in 1900, but he didn’t hear it until 1913. By then, he’d moved on, and he ostentatiously refused to acknowledge the applause for what (as it turned out) would be the greatest public triumph of his career. Radical artist snubs ignorant masses: it’s a gesture that could stand for much of classical