The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Ahead of last year’s release of The Interview, the Seth Rogen film about two journalists instructed to assassinate Kim Jong-un, North Korea interpreted the film as ‘an act of war’. Sony Pictures were hacked by a group linked to North Korea and hundreds of humiliating titbits about spats between celebrities and Sony execs made public,
When Helen Garner, an award-winning Australian author, first saw the TV news images of the car being dragged out of the water, she uttered a prayer: ‘Oh Lord, let this be an accident.’ A strange, pessimistic, almost paranoid prayer. A car had swerved off a dark highway outside her hometown of Geelong, Australia, and plunged
In a cheeringly Dickensian fashion, the names of our supposed experts on grammar imply they want to bind writers (Lynne Truss); send them awry (Kingsley Amis); besmirch their prose (H.W. Fowler); deafen them with moos (Simon Heffer); or snort at their legitimate constructions (John Humphrys). At first glance, Oliver Kamm appears happy to keep them
For decades, all the outside world knew was that Patrice Lumumba, the Congolese independence leader, had been done away with. Like so much connected with the Congo, details were lost in the murk of Africa’s magnificent but broken giant. He had been fed to Katangan pigs, drowned in the river — or was perhaps even
Sir John Lister-Kaye has adopted a very familiar format in his new book of wildlife encounters. Essentially he charts a single 12-month cycle in the life of the Scottish Highlands near his home at the Aigas Field Centre, just to the west of Inverness. The author has lived in the region since the 1960s, when
My favourite fact about gyms before reading this book was that the average British gym member covers 468 miles per year and the average British dog walker 676. Eric Chaline’s history of the institution has offered up some competition on the fact front — but my cynicism remains undimmed. Chaline, a personal trainer and weightlifting
In a ‘Dear Bill’ letter in Private Eye, an imaginary Denis Thatcher wrote off the BBC as a nest of ‘pinkoes and traitors’. That drollery points to the corporation’s paradoxical place in British life: an essential part of the establishment (‘Auntie’) yet sometimes its most daring critic, willing to put impartiality above patriotism. Jean Seaton
One of the curiosities of western art is that, until the 20th century, few visual artists were of Jewish ancestry. With odd exceptions such as the Pissarros and Simeon Solomon, the culture tended to produce verbal rather than visual imaginations. With the 20th century that changed. The important group of abstract expressionists that came out
Jeffrey Archer is none too impressed with the Bollywood film industry. In an interview with India’s DNA Newspaper, he said that several Bollywood films have ripped off his books without his permission. The comments came after the convicted perjurer was asked whether his novels have the potential to translate into Hollywood films: ‘Well, forget Hollywood, just look at your Bollywood!
This is a blog written after the first screening of Måns Zelmerlöw’s Heroes, which went on to win the Swedish nomination and the 2015 Eurovision Song Contest. The world’s most-watched cultural event is some time away, but for Eurovision affectionados the entertainment has started already. Britain and Sweden are the continent’s two greatest exporters of pop music, but the UK Eurovision
Since finishing filming Harry Potter, Rupert Grint has struggled to match the success of his former co-stars Daniel Radcliffe and Emma Watson in the acting world. The actor received mixed reviews for his recent turn on Broadway in It’s Only a Play, with the Washington Post claiming his performance exhausted ‘the comic possibilities’. However, Mr S is happy to reveal that while his acting
Like peace, love and lemon-meringue pie, ‘public art’ seems unarguably attractive. Who but a philistine curmudgeon would deny the populace access to the immediate visual thrills and the enduring solace of beauty that the offer of public art seems to promise? Public art is surely a democratic benefit. Never mind that in the past century
In the giftshop at the new Elvis exhibition at the Dome, you can buy your own version of his flared white jumpsuits. I can’t think of anyone who could wear one and not look ridiculous — particularly if they had a bit of a weight problem. But Elvis, who would have turned 80 this year,
In the centre of the new exhibition Sculpture Victorious at Tate Britain there is a huge white elephant. The beast is not, I should add, entirely colourless. On the contrary, it has a howdah richly decorated in gold and green, and numerous trappings, and tassels covering its pale grey hide. Its whiteness is entirely proverbial.
It’ll be a Skype interview, says the producer from Greek television, and not live. In TV-speak that usually means not urgent and not important, but I’ve become vaguely interesting to Greeks because of the ‘Moscovici draft’ — a doomed attempt to resolve the crisis, leaked to me amid denials of its existence. The interview goes
Go on, admit it, you laughed, didn’t you? When Madonna was yanked off the stage by a dancer pulling her cloak during her finale performance at the Brit Awards, you gasped in horror for one brief moment and then… you laughed out loud. Then you pressed ‘rewind’ and watched it again. And then once more for
A place to see the little things between the monuments and tombs. As in the chapel of St Gabriel, a pencil. Here they are, behind the obvious. Next to the chapter house, a cupboard with a bowl, four toilet rolls. How small things quietly wait, make us forgivable. Inside the vestry, just inside the door,
They’re doing fantastic deals on five-star hotels in St Petersburg the weekend the Francis Bacon exhibition opens at the Hermitage. With tensions between Russia and the west at their highest since the Cold War, ‘no one’, I’m told, wants to come here. No one, that is, except large numbers of elderly but well-heeled people from
Stateside critics, who panned Jennifer Lopez’s new film The Boy Next Door on its US release last month, may be unaware of the ability of the British to enjoy a film so bad it’s almost good. I suspect many Brits will shamefacedly delight in this so-called erotic thriller’s camp silliness, its truly dreadful script and
Torben Betts is much admired by his near-namesake Quentin Letts for socking it to London trendies. Letts is one of the few individuals who enjoys the twin blessings of a Critics’ Circle membership card and a functioning brain so his views deserve serious attention. The title of Betts’s 2012 play Muswell Hill shifts its target
Funny how things turn upside-down with time. A work of contemporary dance that made an iconoclastic splash decades ago is revived today, exactly as it was, as if it were a museum piece. Yet more long-standing dance traditions — such as flamenco and circus — are constantly being remodelled. The contemporary work is that legendary
Is there a more beautiful aria than ‘O mio babbino caro’ from Puccini’s Gianni Schicchi? There are more overwhelming moments in opera, to be sure, but few arias can rival it for the way its beauty kicks you in the back of the knees; its gentle rocking motion causes your shoulders to slump while the
Great works of art may have a strange afterlife. Deracinated from the world that created them they are at the mercy of what people think is important centuries later. Nothing shows this more clearly than the contribution that Tallis’s ‘Spem in alium’ has made to Fifty Shades of Grey. In case you are none the
Sky1’s new hospital drama Critical (Tuesday) can’t be accused of making a timid start. Within seconds, an urgent request had come over the loudspeaker system for ‘the trauma corps’ to head to the emergency department, causing the main members of the cast to sprint down various corridors at impressive speed. Meanwhile, a patient was briskly
No phrase is better calculated to tense the neck muscles of a regular podcast listener than ‘We have something special for you now.’ Having your radio shows downloaded to your phone, music player or computer, rather than plucked out of the air the old-fashioned way, immediately grants the listener a great deal of extra freedom:
These sprightly flowers are no cowards. They poke forth sun seeking heads, proudly proclaim when earth remains clenched in winter’s pale dead. See, before you rise to your day, these shattering yellows hold sway, say something we cannot, or have forgotten, in garden, park and verge, believe, before there is proof, of what will come,
Nicholas Carr has a bee in his bonnet, and given his susceptibilities this might well be a cybernetic insect, cunningly constructed by a giant tech company with the express purpose of irritating him — a likely culprit might be the Tyrell Corporation in Ridley Scott’s future-dystopic film Blade Runner. In 2012 Carr — whose name
The first Marquess of Dufferin and Ava is largely forgotten today — rotten luck for the great diplomat of the Victorian age. In the second half of the 19th century, Dufferin zoomed around the empire, hoovering up the sweetest plums in the diplomatic service: Governor-General of Canada, ambassador to the courts of Russia, Turkey and
Duncan Neville is an unlikely hero for a novel. Approaching 50, divorced and the butt of his teenage son Jamie’s utter contempt, Duncan is also the eloquent yet mild-mannered editor of the Francombe Mercury, a local newspaper on its last legs. Francombe too has seen better days, not least since its pier burnt down in