Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Jonathan Slinger’s Hamlet

Theatre

In his ‘Love Song’, T.S. Eliot’s ageing bank-clerk J. Alfred Prufrock protests he isn’t ‘Prince Hamlet, nor was meant to be…’. David Farr’s new production sets out to put this to rights. The result is indeed a very strange affair. It is built around Jonathan Slinger, who last season starred memorably as Prospero in The

Lloyd Evans

Peter and Alice

Theatre

Inspired writer, John Logan. His 2009 play, Red, delved brilliantly into the gloom-ridden, suicidal mind of the misanthropic modernist painter Mark Rothko. The play’s unflinching and sordid honesty earned the author, and his director Michael Grandage, a bagful of gongs on either side of the Atlantic. The pair have reunited for Logan’s new play, Peter

The ideal place to hear classical concerts

Music

What sort of room do you prefer to hear classical concerts in? We have all got used to industrial-strength symphony halls and opera houses, capable of holding 3,000 people, with dry acoustics and omni-look interiors. As with art galleries around the world, once inside you could be anywhere: there is little to tell you which

‘A Slow Passion’, by Ruth Brooks – review

More from Books

Snails are supposed to hate eggshells. Not the ones in Ruth Brooks’s garden. They clamber over the barrier as though it’s ‘a new extreme sport’. Ditto hair. And grit. She tries beer, but her young son drinks it. As for coffee grounds (normally a failsafe), the pests just eat them, then attack the flowers with

‘The Birth of an Opera’, by Michael Rose – review

More from Books

When, more than half a century ago, I was a student, deriving much of my education from the Third Programme, I was given, between 1955 and 1971, a crash course on opera by Hans Hammelmann and Michael Rose. The two of them were major opera historians and both were natural broadcasters, able to pass their

Penguin Underground Lines – review

More from Books

You don’t have to live in London to be faintly obsessed by the Tube, but it probably helps. At this point I should state my bona fides: born in Great Ormond Street Hospital (nearest station: Russell Square), babyhood in Marylebone (Bakerloo line, originally to be called ‘Lisson Grove’), grew up in Hampstead (deepest station on

‘The Undivided Past’, by David Cannadine – review

More from Books

David Cannadine detests generalisations and looks disapprovingly on any attempt to divide humanity into precise categories. The Undivided Past provides a resoundingly dusty answer to any historian rash enough to seek for certainties in this our life. It is highly intelligent, stimulating, occasionally provocative and enormous fun to read. Cannadine considers the six ways in

Steerpike

Michael Dobbs tight lipped on House of Cards plot

It was a gamble that seems to have paid off. American online entertainment giant Netflix commissioned their first ever original series with a Washington adaptation of Lord Dobbs’s classic, House of Cards. According to its star, Kevin Spacey, the show is today the most watched ever on the service. Season one ended on a cliff hanger

Interview with a writer: John Banville

The salubrious surroundings of the Waldorf Hotel seem like a very apt setting to interview a master of style and sophistication. When I arrive in the lobby, John Banville is nowhere to be seen. Peeping into the bar, I notice a grey haired man with a moustache, wearing a tuxedo, softly playing a grand piano.

Cross examination

Arts feature

As Easter comes upon us in this bitter spring, many of us are drawn to contemplate the mystery of Christ’s passion: his Crucifixion, Resurrection and Ascension into Heaven. You don’t have to go to church to do this, for reverie or prayer can take place in a quiet landscape or by a cosy fireside, but

The Angel of the Odd: an exhibition that ends with a satisfying shiver

Exhibitions

To some extent, all Romanticism has its origins in darkness, coming in the wake of the 1755 Lisbon earthquake that introduced fear into the age of reason. ‘Reason’s Sleep Produces Monsters’ proclaims the opening drawing in Goya’s series ‘Los Caprichos’ (1797–99), which features in this entertaining exhibition. After all the cruelties that man had inflicted

Caitlin Rose’s The Stand-In: a fantastic album from a fantastic girl

More from Arts

Caitlin Rose, Caitlin Rose, Caitlin Rose. I’d feel awkward admitting that I’m rather obsessed with this Nashville chanteuse, were it not for a mitigating truth: you should be, too. Her debut album Own Side Now, released in 2010, was proof enough of her sweltering talent. And now we have a follow-up, The Stand-In, that’s superior

Come together | 28 March 2013

Radio

‘That’s the power of ritual,’ said the Chief Rabbi, Jonathan Sacks, on Thought for the Day last week. He was thinking particularly of the Jewish festival of Passover with its ritual gathering of the family to eat unleavened bread and bitter herbs as a re-enactment of the experience of exile and slavery. ‘It’s an expression

Trance: not Danny Boyle’s finest hour

Cinema

Obviously, we all love Danny Boyle and want to have his babies — I’d like at least two of his babies — but his latest film, Trance, is a horrid mess. A psychological take on the art-heist film, it is miscast, iffily acted, confusing, implausible (to the extent I never fully understood what was happening)

Lloyd Evans

The Book of Mormon is toothless, jokeless, plotless and pointless

Theatre

Impossible, surely. The Book of Mormon could never live up to the accolades lavished on it by America’s critics. ‘Blissfully original, outspoken, irreverent and hilarious,’ was a typical review. The three authors are formidably gifted. Trey Parker and Matt Stone gave us South Park, while Robert Lopez is the co-writer of Avenue Q. As a

Lloyd Evans

‘In the beginning was breath’

Theatre

Declan Donnellan is riding high. His acclaimed production of the burlesque classic Ubu Roi has confirmed his membership of the elite group of British directors who enjoy renown across Continental Europe and beyond. The critics cheered his French-language production of Alfred Jarry’s anarchic satire when it reached Paris earlier this month. The show, created by

search party

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