The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
A flurry of new reviews of Stephen Kelman’s Pigeon English has landed in recent days, coinciding with a new edition of the book. Kelman’s debut divides opinion. Lewis Jones thinks it ‘miraculous’. Catherine Nixey thinks (£) that it’s ‘exuberant’ but ‘miss-steps’ occasionally. And I found that a pigeon is a less than engaging narrator, even if
I have a review of Pity the Billionaire by Thomas Frank, one of the few left-wing writers I believe conservatives can read with pleasure. He is old fashioned, so old-fashioned indeed that most American leftists would not call him left-wing. He has no time for the culture wars, which still stir the passions of so many on
This week’s Shelf Lifer is the indefatigable Joan Collins. She tells us which literary character she’d pick to share a bed with and exactly how many self-help books she’s written. What are you reading at the moment? Frank Sinatra: The Boudoir Singer by Danforth Prince and Darwin Porter As a child, what did you read
Christopher Reid’s A Scattering — a collection of poems written in honour of his dead wife, the actress Lucinda Gane — won the 2009 Costa Award. Reid will be reading selected poems from that collection at the South Bank Centre later this month, as part of the forthcoming exhibition examining attitudes to death and grief.
You may remember that 2012 will see the launch of a new literary award. On Tuesday 7th February, the Coach and Horses in Soho will host our friends The Omnivore’s Hatchet Job of the Year. The aim is to reinvigorate literary criticism by rewarding the ‘angriest, funniest, most trenchant’ book review of 2011. The aim is
Few non-fiction writers’ books fly off the shelves as fast as Tom Holland’s. He’s a renaissance man — an overused phrase, but merited in his case. He began professional life translating ancient classics for Radio 4 and is best known for his histories of the ancient world: Rubicon, Persian Fire and Millennium. This back catalogue
Morality plays began in the Middle Ages. They were intended to explain Christian precepts and encourage a mostly illiterate audience to lead a Godly life. Typically, they describe the progress of an Everyman who falls into temptation and then is redeemed. In modern times it’s our newspapers who stage our morality plays. The press coverage
When I consider how my light is spent Ere half my days in this dark world and wide, And that one talent which is death to hide, Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, least he returning chide, Doth God exact day-labour, light
Last Thursday saw a major publishing event in Britain: the release of The Art of Fielding, the debut novel by American Chad Harbach. The book has been received with rapture in the States: the phrase ‘Great American Novel’ is being whispered and Harbach is routinely compared to Jonathan Franzen, the literati’s present infatuation. The comparison has migrated
Let me nail my colours clearly to the mast: I would prefer to eat my own spleen, or listen to a Gordon Brown speech, than read the memoirs of a barrister/politician. The remaindered lists are groaning under these unsellable, unreadable, dusty monuments to over-inflated egos. They should be pulped and moulded into bed pans. However,
The last major show of paintings by Edward Burra (1905–76) was at the Hayward Gallery in 1985 and I remember visiting it with a painter friend who was rather critical of what she called Burra’s woodenness and lack of movement. At the time, I was impressed by her criticisms, but now they rather seem to
Been a while since Dolly featured in this slot. So here she is with Backwoods Barbie. It’s like a compendium of country and Dolly cliches but, you know, so what? It still works.
Tony Hall tells Michael Prodger about how he transformed the Cultural Olympiad into the London 2012 Festival The most obvious gift possessed by Tony Hall, or Baron Hall of Birkenhead to give him his proper title, is for cleaning up an almighty mess. When he joined the Royal Opera House in 2001, after a long
Firstly, my review of 2011, which I was going to do in photographs until I realised I didn’t take any, and then in animal thumbprints, but they are quite rubbish. My dog, for example, looks nothing like a dog. So I will spare you my review of last year — my giraffe is getting there,
Embedded somewhere in the Christmas story no doubt is the idea of much being contained in a small space — or Multum in parvo as the restored road signs leading into Rutland have it. The opposite, which I will leave you to chisel into Latin for yourselves, presumably gets less attention in the Bible, yet
‘It is impossible that you should not have sensed,’ wrote Wagner to Ludwig II shortly before the first performance of Die Meistersinger von Nürnberg, ‘under the opera’s quaint superficies of popular humour, the profound melancholy, the lament, the cry of distress of poetry in chains, and its reincarnation, its new birth, its irresistible magic power
‘Do you feel like crying?’ asked Shaun Keaveny on his 6 Music breakfast show this week, before replying, ‘Text us your tears.’ It was Tuesday, the first day back at work for many listeners. And Keaveny was trying to cheer us up. Then he played ‘Grey Day’ by Madness. Keaveny’s lucky. 6 Music reckons that
One of my resolutions this year is to make a lot more money. But how? In fact, I’ve noticed recently, it’s very simple: all you have to do is take a popular character with enormous worldwide brand recognition (e.g., King Arthur, James Bond, Sherlock Holmes) and shamelessly reinvent him for the youth demographic. So, for
Those seeking to banish the January blues should hotfoot it to the Cambridge Theatre for a gloriously uplifting injection of energy and exuberance courtesy of the RSC’s Matilda the Musical. Roald Dahl’s celebration of the redeeming power of the imagination is magically translated to the stage by writer Dennis Kelly and lyricist Tim Minchin. Watching
A new biography of ‘Papa’ has deeply impressed Sam Leith, although its thoroughness — like its subject — ‘teeters on nuts’ Hemingway’s Boat is just what it sounds like. It takes as its conceit — and it’s a good one — that writing about Hemingway’s boat Pilar (now up on blocks in Cuba) is a
One hundred and fifty years after Anglo-Saxon England was invaded by the Normans, Anglo-Norman England was invaded by the French. On 21 May 1216 King Philip Augustus’ eldest son, Louis the Lion, landed at Stonor on the Isle of Thanet, kissed a crucifix, planted it in the ground and began an 18-month war for the
It is probably hard to enjoy this new big novel from America without some understanding of the shortstop’s position on the baseball field. But that is easily remedied, thanks to YouTube, where searching for ‘shortstop, fielding’ arouses multiple videos that compete for attention, with stars of the game in their infield position between second and
Autobiography is a tricky genre to get right, which may be why so many well-known people keep having another go at it. By my reckoning Tales from an Actor’s Life (Robson Press, £14.99) is Steven Berkoff’s third volume of autobiographical writings, although I might have missed one or two others along the way. This one,
Tessa Hadley’s previous book, The London Train, was one of the best novels of last year, though overlooked by prize committees. It concerned the gently disentangling lives of a pair of middle-class couples, and found its strengths in numinous revelations of the everyday. These short stories (all previously printed in magazines such as Granta and
We are all tourists now, and there is no escape. The first thing we see as we jet round the world is a filth of our own making. Resort hotel seepage. Takeaway detritus. Travel, in its pre-package sense, can no longer be said to exist. Airports even have ‘comfort zones’ with dental clinics, cinemas and
In 1969 an author in his early thirties published his first book. The Rise and Fall of the Man of Letters won the Duff Cooper prize, delighted the reading public, introduced them to the name of John Gross, and marked the beginning of what would be an illustrious and fascinating literary career. It ended with
Frank Rich loved it. ‘Noises Off,’ said the great N’Yawk critic, ‘is, was and always will be the funniest play written in my lifetime.’ Michael Frayn conceived the idea of writing a farce about farce while watching one of his early plays from the wings. The frantic hustle-bustle of the actors behind the scenes was
If Time Magazine declared 2011 the year of the protester, then it seems quite fitting that, in a public vote, the Galaxy Book Awards crowned Caitlin Moran’s How to Be a Woman their book of the year. Touted as a modern day feminist call-to-arms, it is also the memoirs of a former music journalist turned Times
The English National Ballet’s performance of the Nutcracker was especially enchanting this year, but I left wondering what the story’s original author, E.T.A. Hoffmann would have made of it all. Hoffmann was long dead when his short story, Nussknacker und Mausekönig (The Nutcracker and the Mouse King) (1816) came to inspire the ballet a