Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Changing minds

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‘Do you remember listening to the radio for the very first time?’ asked David Hendy at the beginning of his thought-provoking series of late-night essays on Radio 3 (which you should still be able to catch on Listen Again). ‘Do you remember listening to the radio for the very first time?’ asked David Hendy at

Game for a laugh

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In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the clingy, footie-loving, curry-scoffing, lager-glugging, belly-baring, deeply annoying best friend in Gavin and Stacey. In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the

Odd men out

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The first game played by the Allahakbarries Cricket Club at Albury in Surrey in September 1887 did not bode well for the club’s future. The first game played by the Allahakbarries Cricket Club at Albury in Surrey in September 1887 did not bode well for the club’s future. One player turned up wearing pyjamas, another

Not as sweet as he seemed

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There are already three biographies of E. M. Forster: P. N. Furbank’s two- volume, authorised heavyweight; Nicola Beauman’s less compendious, more engaging middleweight; and my own bantamweight, little more than an extended essay. There are already three biographies of E. M. Forster: P. N. Furbank’s two- volume, authorised heavyweight; Nicola Beauman’s less compendious, more engaging

Keeping the lid on

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For all of the nine years that he worked, first as official spokesman for Tony Blair and then as Director of Communications for the government, Alastair Campbell was obliged to defend a huge lie: that all was well at the heart of the New Labour project when, manifestly, it was not. Gradually, as the years

Flights of futuristic fantasy

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The Great Court of the British Museum is a good place to start. Norman Foster brought light into the wonderfully elegant and inspiring glazed space at the heart of the museum where there had been nothing but greyness around the domed Reading Room. It also put Lord Foster of Thames Bank OM at the heart

A rather orthodox doxy

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‘His cursed concubine.’ That was the imperial ambassador Eustace Chapuys’ judgment on Henry VIII’s second wife, Anne Boleyn. ‘His cursed concubine.’ That was the imperial ambassador Eustace Chapuys’ judgment on Henry VIII’s second wife, Anne Boleyn. And that was mild. The abbot of Whitby called Anne a ‘common stud whore’. The judge Sir John Spelman

Whither America?

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At the beginning of The Ask, Horace sits with Burke and proclaims that America is a ‘run down and demented pimp’. At the beginning of The Ask, Horace sits with Burke and proclaims that America is a ‘run down and demented pimp’. Horace is not Quintus Horatius Flac- cus; and Burke is not Edmund Burke.

Out for blood

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Unless you have spent the last couple of years packed in soil on a boat bound for Whitby, you will have noticed that vampires are back in fashion. It’s an international craze, with Japanese and Swedish films (notably the marvellously quirky Let the Right One In, now being remade in Hollywood) contributing fresh interpretations. The

Lloyd Evans

‘Take risks and be exciting’

Arts feature

Lloyd Evans talks to Michael Attenborough, whose star at the Almeida is the theatre itself The back office of the Almeida Theatre in Islington could do with a major refit. Dowdy, open-plan and scattered with Free-cycled furniture, it looks like the chill-out room of a student bar or the therapy suite of some underfunded weight-watch

Brendan O’Neill

Glastonbury is for middle-aged masochists

Features

Europe’s biggest musical festival is now just a massive authoritarian pigpen, says Brendan O’Neill. No wonder the young are staying away Most people, when they hear the word Glastonbury, think of mud, drugs, drunkenness, moshing, free love, the lighting up of spliffs, and generally harmless experimentation in a field. Well, they’re right about the mud.

Conversation piece

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Another Country: London Painters in Dialogue with Modern Italian Art Estorick Collection, 39a Canonbury Square, London N1, until 20 June In recent years there has been something of a vogue for encouraging contemporary artists to respond to particular works by artists of the past, and to make paintings as part of that response. The prime

Lloyd Evans

Miller masterpiece

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All My Sons Apollo, booking to 2 October Shrunk Cock Tavern, until 12 June It starts softly, in a dream of American contentment. A country house nestles in the lap of its lush and blossoming garden. The sun shines. Birds sing. Green foliage drips with the rain from last night’s storm and Joe Keller, a

Secret admirer

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When life becomes slightly too challenging, I’m sure I’m not alone in leaning towards comfort music. When life becomes slightly too challenging, I’m sure I’m not alone in leaning towards comfort music. You don’t want anything too jagged, or awkward, or dissonant, or glum. Nothing that makes the veins in your forehead throb. It needs

The need to know

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Simon Cowell spent the weekend bemoaning Britain’s lack of talent. Simon Cowell spent the weekend bemoaning Britain’s lack of talent. He obviously doesn’t listen to Radio 4. As Cowell should know, there are other kinds of talent, more useful in these gloomy economic times and more durable, which have no requirement to cake on tubloads

James Delingpole

History like it used to be

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Because I was taught history properly by my prep-school teacher Mr Bradshaw, my head is full of easily accessible dates which I know I’ll never forget. Because I was taught history properly by my prep-school teacher Mr Bradshaw, my head is full of easily accessible dates which I know I’ll never forget. Obviously, I know

Sam Leith

The inconstant gardener

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In the autumn of 1826, Prince Hermann Ludwig Heinrich von Pückler-Muskau came ashore in London after a long and gruelling voyage from Rotterdam. In the autumn of 1826, Prince Hermann Ludwig Heinrich von Pückler-Muskau came ashore in London after a long and gruelling voyage from Rotterdam. A whiskery Prussian princeling with a heavily indebted estate

Stuff and nonsense

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Yann Martel’s second novel, The Life of Pi, a fable with animals, won the Man Booker Prize in 2002 and was translated into 38 languages. Yann Martel’s second novel, The Life of Pi, a fable with animals, won the Man Booker Prize in 2002 and was translated into 38 languages. The narrator of Beatrice and

In the house of Hanover

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Either Lucy Worsley or, more probably, her publisher has given her book the subtitle ‘The Secret History of Kensington Palace.’ This is enticing, or intended to be so; it is also misleading. Either Lucy Worsley or, more probably, her publisher has given her book the subtitle ‘The Secret History of Kensington Palace.’ This is enticing,

Turning up trumps

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If you think that a room full of solemn people in groups of four play- ing duplicate bridge is deeply depressing, then this young-adult novel is not for you. If, on the other hand, that array of concentrated brows fills you with an urge to compete, then you may derive some pleasure from it. And

Athene ruled the waves

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One thing is certain: George W. Bush was no Pericles. For which reason it is a pity that John Hale’s new history of Athens in the fifth and fourth centuries BC is launched with a rhetoric more Texan than Attic. The ancient Greeks knew that building a navy was an undertaking with clear-cut political consequences.

Mary Wakefield

Contrasting characters

Arts feature

Mary Wakefield talks to Roger Allam and discovers that he thinks acting is only a game As I meet Roger Allam’s eye, in the bar area of Shakespeare’s Globe, I feel a lurch of dread. I love Roger Allam. I’ve held a torch for him since the mid-Eighties, when he starred in Les Mis as

Drawing for drawing’s sake

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Fra Angelico to Leonardo: Italian Renaissance Drawings British Museum, until 25 July The latest exhibition in the Round Reading Room is an awe-inspiring collection of Italian Renaissance drawings, the kind of display likely to be seen only once in a lifetime. It is a large show of relatively small things, offering 100 examples of the

A blow for fidelity

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Così fan tutte In rep until 17 July Billy Budd In rep until 27 June Glyndebourne Glyndebourne has opened this year with two troubling operas, but ones which disturb in quite different ways. Così fan tutte is described by Max Loppert, in an excellent essay in the programme, as ‘the cruellest and most disturbing opera

Hippie dream

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By and large, I try to keep the night job out of this column. I love musicals, and even derive a gruesome gallows pleasure from the really bad ones but, since I review them for the Telegraph, it feels wrong to write about them here. And I don’t often listen to cast recordings of great