Alexander Larman is an author and books editor of Spectator World, our US-based edition
This August, if all is well, Christopher Nolan’s eleventh film, Tenet, will be released in cinemas around the world. The storyline apparently involves aspects of time-travel, predetermination and espionage. As usual with Nolan, the details are shrouded in mystery. But it sounds as if it combines many of his usual tropes: a mixture of household
We live in a strange time. Forbidden to travel beyond our national borders for fear of infection and quarantine, we are nevertheless all too aware that we are connected to the wider world in all manner of ways. You might even call it chaos theory in action; a man eats a bat in a Chinese
Even as we experience a momentary hiatus from the onslaught of superhero films, it is hard not to feel that the whole genre has been unnecessarily debased. There is nothing especially wrong with the vast majority of Marvel films, but they are the cinematic equivalent of a visit to Byron or Nando’s; enjoyable while it
At the moment, what everyone needs is a good laugh. This doesn’t necessarily mean that the funniest comedies have to exist in their own bubble; many of the best examples of the genre have held a mirror up to society, in all its complexity and absurdity. But then many also manage to divert and entertain
In the midst of the greatest threat to individual liberty – not to mention health and livelihood – that most of us have experienced in our lives, it is a sad inevitability that the hospitality industry has taken the first economic hit. What we don’t know at the moment is if this is a recoverable,
Charlotte Rogan’s The Lifeboat (Virago, £12.99) comes garlanded with praise from the likes of J. M. Coetzee and Hilary Mantel. Rogan, who has only taken up writing after a career in architecture and engineering, tells the story of Grace Winter, a young woman on trial for murder as the novel opens. She and her husband
As this year’s Oscar-winning films continue their box office reign, it’s salutary to remember that some excellent films have been honoured over the years. Even as many have faded from memory (Crash, anyone?), some of the award-winners that can be found on Netflix represent the very best in contemporary cinema. Here are some of our
Gladstone’s Library began as that most English of things: a great man’s visionary idea. William Gladstone, at the age of 85, decided that he had amassed too many books, and wanted to share them with the less fortunate. As his daughter Mary put it: ‘He wished to bring together books who had no readers with
I’m standing in milady’s boudoir, a room which would have delighted Liberace. Here, nothing is de trop and everything is geared towards lavish indulgence. Two enormous freestanding baths face the window, giving exhibitionists a heaven-sent opportunity to disport in the altogether. The upstairs bed could comfortably accommodate four adults. Portraits of Ada Lovelace — who
The blurb on the front of Grace McCleen’s debut novel (from Room author Emma Donoghue) proclaims it to be ‘extraordinary’, and goes on to praise it as ‘brutally real’, commending its mixture of ‘social observation and crazy mysticism, held together by a tale of parent-child love’. Unusually for a blurb, this is all accurate. McCleen’s
Hundreds of thousands of hardy souls are preparing for a few nights under canvas this summer, often facing sunburn or trench foot while giddily jumping up and down in a muddy field as bands maul their better-known hits. And yet, for most of these people, camping is something that they wouldn’t dream of doing except