Michela Wrong is the author of Do Not Disturb: The Story of a Political Murder and an African Regime Gone Bad, published by HarperCollins.
Today a solemn ceremony takes place in Rwanda’s capital. President Paul Kagame, flanked by international dignitaries – including our own development secretary Andrew Mitchell – will light a flame of remembrance at Kigali’s genocide memorial, where the bones of more than 250,000 people are interred. ‘Kwibuka’ (‘Remember’ in Kinyarwanda) – this act of commemoration –
‘If I’d died in my thirties, what would be left behind?’ is the question that keeps coming to mind reading this timely new biography of Frantz Fanon, the psychiatrist and philosopher who became an icon to leftist revolutionaries across the globe. ‘Would I want history to judge me by what I wrote at 36?’ For
The mantelpieces of many an Asian family in Leicester and London, it is said, sport two framed photographs. One is of Idi Amin, the African dictator who expelled them from Uganda; the other is of Edward Heath, the prime minister who allowed them in. ‘This double gratitude,’ writes Lucy Fulford, ‘says thanks for throwing us
After weeks of travelling – first Paris, then Kinshasa – I was looking forward to my evening at L’Horloge du Sud in Brussels. Known for its poisson liboké (fish wrapped in banana leaf) and other African specialities, the restaurant is popular with the city’s African diaspora. I’d been invited by a Pan-African thinktank to discuss
Recent years have not been kind to the campaign for universal justice. The notion that some crimes are so serious that perpetrators should be hunted down and prosecuted irrespective of where the atrocities were actually committed has taken something of a beating since the International Criminal Court (ICC) opened for business in the Hague in
If President Paul Kagame has been tracking the furore over Priti Patel’s plan to send asylum seekers to Rwanda, he’s been doing it on the hoof. Kagame moves constantly these days: the news broke while he was en route to Barbados after a visit to Jamaica. In the past two months he has been to
I doubt that Paul Kagame would have me assassinated, but it became clear to me late on Sunday afternoon that, at the very least, I am in his sights. As President of Rwanda, Kagame became the toast of the international aid community – and collected billions of dollars in aid. But is this money well
Yetemegn was barely eight years old when her parents married her off to a man in his thirties. Before she could become a spouse, he first had to raise her. Her education involved beatings when she left the house, even if it was only to borrow shallots from a neighbour. At 14, she gave birth
Back in 2006, David Cornwell, aka John le Carré, hired me as guide for his first trip to the Democratic Republic of Congo (DRC), to research The Mission Song. Evenings were spent on the terrace of the Orchids Hotel in Bukavu, watching pirogues languidly traverse Lake Kivu, ice cubes clinking in respective glasses of Scotch. It
Never lighthearted, my African political exile friend sounded particularly lugubrious on the line from Washington. His voice was low and pensive. For the past few months, he said, he’d been hearing of plans hatched by the regime back home for his assassination. ‘They are very gruesome, very gruesome indeed.’ It was not the first time.
The highlight for me this year was the South African writer Jonny Steinberg’s A Man of Good Hope (Cape, £18.99), hugely topical at a time when Europe is contemplating what it means to be a refugee. I’ve repeatedly found myself recommending it to friends. Steinberg is a novelist camouflaging himself as a non-fiction writer, and
Great men rarely come smaller than Haile Selassie. In photographs, the golden crowns, pith helmets and grey felt homburgs he often donned can’t conceal the fact that he is the shortest man in the room. It didn’t matter: for the 44 years of his reign — with a five-year interruption engineered by Benito Mussolini’s invading
This novel comes with two mysteries attached, one substantial, the other superficial. The big mystery is the author’s identity. Gender-neutral, nominally Anglo-Saxon, almost provocatively bland, ‘C.B. George’ screams ‘pseudonym’ to any reader. A call to the literary agent confirms the suspicion: the author is keeping his identity secret ‘for personal reasons’, which may or may
I would love to sit in on a Jonny Steinberg interview. Over the years this South African writer has perfected a form of reverse ventriloquism, in which he becomes the mouthpiece for the Africans whose lives intrigue him. I’d like to know how he does it. The process must require relentless badgering, as interview is
When presented with a 639-page doorstopper which includes 82 pages of closely-written sources, notes and index, most of us feel a bit like a patient about to swallow a strong dose of antibiotics: ‘This isn’t going to be pleasant, but it’ll be good for me.’ First published in Dutch in 2010, translated into French and
There are writers whose prose style is so fluid, so easy, the reader feels as though he has been taken by the hand and is being gently led down a path by a guide who can be trusted to point out interesting landmarks, allow the odd meander, but always keep firmly on course. Mark Gevisser,
When presented with a title of this kind, many readers think they know what to expect: drugged-up child soldiers, wince-inducing brutality, ranting demagogues, rebels in women’s wigs. This, thankfully, is not that book. It is something more nuanced, elliptical and elegant. Ghana is in a different league from Liberia, Guinea or Sierra Leone, its traumatised
Ayan Mahamoud, one of the organisers of Hargeysa’s International Book Fair, has all the girly vulnerability of a factory-tested steel girder. So it was disconcerting when, having called to the stage the western writers attending in the teeth of strict travel warnings, she burst into tears. ‘I’m sorry. It’s just so hard when the whole
The development industry is as fashion-prone as any other. Fads come and go. There are a few giveaways when it comes to spotting them. Deceptive simplicity is one indication. The idea should have a silver-bullet quality, promising to cut through complexity to the nub of a problem. Even better, it should be a notion that
A stomping bestseller is a hard thing to recover from. The author is doomed to see all future works compared and found wanting. Is his new book vivid? Certainly. Funny? Yep. Insightful? Sure — but not as good as that first, cherished work. Readers are loyal creatures. So it will always be for Rian Malan,