Sam Leith is literary editor of The Spectator.
Solomon Kugel is morbidly obsessed with death: his own, and that of those he loves, including his wife Bree and his only son Jonah. He spends his idle hours writing down possible last words in a notebook, and contemplating the undignified and senseless extinctions that await him around every corner. His outlook is not helped
Sam Leith on Tony Judt’s rigorous, posthumously published examination of the great intellectual debates of the last century When the historian and essayist Tony Judt died in 2010 of motor neurone disease, among the books he had planned was an intellectual history of 20th-century social thought. As the disease robbed him of the ability to
To Moscow! To Moscow! Recently I was in Russia as a guest of the British Council. My friend Damian Barr hosts a regular literary salon in London, and the idea was to put one on here, with the poet and essayist Linor Goralik, the novelist Alexander Ilichevsky, the publisher Dan Franklin and me. Extraliterary considerations:
A new biography of ‘Papa’ has deeply impressed Sam Leith, although its thoroughness — like its subject — ‘teeters on nuts’ Hemingway’s Boat is just what it sounds like. It takes as its conceit — and it’s a good one — that writing about Hemingway’s boat Pilar (now up on blocks in Cuba) is a
Video games are an ideal gift – especially the violent ones Not long ago, Salman Rushdie took to Twitter to say, ‘Passed this billboard: “From the Makers of Doom… Rage!” What does it say about us that these are the names of games?’ The author of Fury had a point. Video games are now bigger
Obviously Alan Hollinghurst’s The Stranger’s Child is a masterpiece. So is Ian Donaldson’s Ben Jonson. But having already said as much in these pages, I mention them only in passing. You’re less likely to have heard about Grant Morrison’s clever, passionate Supergods, but I urge it on you if you have any interest in myth,
In Baghdad in the 1980s there was a children’s book published called The Hero Saladin. The cover bore an image of Saddam Hussein, identified, in what his biographer drily describes as ‘the second and longer part’ of the book, as ‘Saladin II Saddam Hussein’. Given that Saladin was actually Kurdish — and knowing what we
Where’s Invasion of the Space Invaders? That’s what I want to know. Only by consulting Richard Bradford’s bibliography would you know that in 1982 Martin Amis published a book — subtitled ‘An Addict’s Guide’ — on how to win at Space Invaders, and that he (presumably) hasn’t let it come back into print. An entire
Sam Leith on the paradoxical nature of Britain’s first literary celebrity What a piece of work was Ben Jonson! If you lived in Elizabethan England and had just narrowly escaped the gallows after stabbing a man to death in an illegal duel, wouldn’t you want to keep your head down for a bit? Not Jonson.
Many among you, I know, have been fretting that thanks to a combination of political correctness, New Labour educational policy and the European Union’s usurpation of everything the free-born Englishman holds dear, big-picture narrative history is on the point of vanishing from the earth. All that our children’s children will know of British history, you
Nothing more gladdens this reader’s heart than a book that opens up an interesting and underexplored historical byway. Well, perhaps one thing: a book that opens up a historical byway that turns out to be a complete catastrophe. On that count, A Merciless Place more than delivers. Here is one of the great colonial cock-ups.
Sam Leith tracks the careers of Alan Hollinghurst’s captivating new characters through youthful exuberance to old age, dust and a literary afterlife It’s quite hard to know where to begin, reviewing The Stranger’s Child. As I finished it, and was heard making bloody-hell-this-is-good noises, two people asked me: ‘What’s it about?’ That, as it turns
If you thought that bust of Lenin you had on your desk as a teenager was the ultimate in radical chic, think on. Infatuated with the French Revolution, Lord Stanhope proclaimed his solidarity at a banquet at White’s Club. Announcing that he was thenceforth to be known as Citizen Stanhope, he ordered the coronets to
Sam Leith is enthralled by a masterpiece on monotony, but is devastated by its author’s death When David Foster Wallace took his own life two and a half years ago, we lost someone for whom I don’t think the word genius was an empty superlative. He was an overpowering stylist, and a dazzling comedian of
The moment has arrived. David Foster Wallace’s The Pale King is published today to great fanfare and no small measure of regret that there is no more to follow – rediscovered boyhood poems aside. The lead books article in this week’s Spectator is Sam Leith’s review of Wallace’s posthumous unfinished novel. Here it is for
Sam Leith explores H. G. Wells’s addiction to free love, as revealed in David Lodge’s latest biographical novel In the history of seduction, there can have been few scenes quite like this one: ‘Am I dreaming?’, she said when she opened her eyes. ‘No,’ he said, and kissed her again. ‘But what about Jane?’ she
Why, the energetic historian Niall Ferguson asks in his new book, did a minority of people stuck out on the extreme western end of the Eurasian landmass come to dominate the world in cultural, political and economic terms for more than half a millennium? This, he says, ‘seems to me the most interesting question a
Here, as promised, is Sam Leith’s magazine review of Niall Ferguson’s new book Civilisation: the West and the Rest. Why, the energetic historian Niall Ferguson asks in his new book, did a minority of people stuck out on the extreme western end of the Eurasian landmass come to dominate the world in cultural, political and
Golly gee. Academic literary critics are going to hate Faulks on Fiction like sin. Here is Sebastian three-for-two Faulks, if you please, clumping onto their turf with a book of reflections on a couple of dozen great novels. And he declares in his introduction, with some pride, that he intends to take ‘an unfashionable approach’
Sam Leith marvels at Victorian Britain’s appetite for crime, where a public hanging was considered a family day out and murder became a lurid industry in itself On my satellite TV box, murder is being committed 24 hours a day, seven days a week. I could probably live out the rest of my life watching
