How much of a compromise does a fashionable choreographer loved by all have to make with his paymasters? When he’s unfashionable, it’s only the Arts Council he has to please. When the world wants a piece of him, he has London’s Sadler’s Wells and the Roundhouse, Grenoble, Paris, Luxembourg, Montreal, Hong Kong, Taipei, Wolfsburg, Brighton, Amiens, Bruges, Amsterdam, Rheims and Leicester producers all tugging at his sleeve, offering support for the quasi-divine creation but wanting to get their spanner into the works somewhere.
Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in