Laura Freeman

Can we know an artist by their house?

When I started writing a life of Jim Ede, I thought: serene interiors, serene soul. Not a bit of it

Alexandre Dumas’s writing studio, Chateau D’If, the prettiest gingerbread garden office you ever saw. Credit: Alan Br. Pro / Alamy Stock Photo

Show me your downstairs loo and I will tell you who you are. Better yet, show me your kitchen, bedroom, billiard room and man cave. Can we know a man – or woman – by their house? The ‘footsteps’ approach to biography argues that to really understand a subject, a biographer must visit his childhood home, his prep-school boarding house, his student digs, his down-and-out bedsit and so on through barracks, shacks, flats, garrets, terraces, townhouses and final Georgian-rectory resting-place.

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