Max Décharné

Capital entertainment: how the West End became the playground of London

Rohan McWilliam describes the 19th-century transformation of a two-mile stretch of the capital into the centre of entertainment

Interior of Drury Lane Theatre. From R. Ackermann’s Microcosm of London, 1808. Credit: Bridgeman Images 
issue 12 September 2020

The West End was always something a little apart. Some years ago, I used to go drinking with a man who had jointly run one of the best Soho live music clubs of the late 1950s and 1960s. He told me that they received a visit in their early days from the Kray brothers demanding protection money, who were summarily told, in his words, ‘to fuck off’.

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