Simon Ings

Hiding in plain sight

The Greek artist’s work is like his electromagnetic subject – it hides in plain sight

issue 13 July 2019

Steel flowers bend in a ‘breeze’ generated by magnetic pendulums. This is the first thing you see as you enter Tate Modern’s survey show. And ‘Magnetic Fields’ (1969) is pretty enough: the work of this self-taught artist, now in his nineties, has rarely been so gentle, or so intuitive.

But there’s a problem.

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