Richard Bratby

I pounded my car horn like a Neapolitan cabbie: ENO’s drive-in Bohème reviewed

The artistic values of this ambitious project were as high as any at the Coliseum

Natalya Romaniw as Mimi and the Bohemians as north London crusties slumming it in a campervan in ENO’s drive-in La bohème. Credit: © Lloyd Winters, courtesy of English National Opera 
issue 26 September 2020

The email from English National Opera was blunt: ‘Your arrival time is 18.25. If you arrive outside your allocated time slot, you may not be allowed entry.’ Perhaps, to habitual London drivers — if such people exist — negotiating the residential streets of Muswell Hill during a Saturday rush hour is all good clean urban fun.

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