Lloyd Evans Lloyd Evans

Like an episode of Play School: Dr Semmelweis, at the Harold Pinter Theatre, reviewed

Plus: were things in 2012 really as bad for gays as this new play at Southwark Playhouse suggests?

Mark Rylance as Ignaz Semmelweis, surrounded by a troupe of ballerinas who mimic the horrors of childbirth through the medium of expressive dance. Photo: Simon Annand

Already a subscriber? Log in

Keep reading for free

Subscribe today to get 3 months’ free digital access.

  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828
  • Plus, three months’ free digital access to the Telegraph

Comments

Join the debate for free — this month only

This month, be part of the conversation with other Spectator readers by getting your first three months for free. We’ll also give you three months’ free digital access to the Telegraph.

Already a subscriber? Log in