Igor Toronyi-Lalic

Round-up of new opera

But the collision of disciplines is at its wildest when you leave the opera house completely and venture into the world of music collectives like ARCO and art galleries like DRAF

issue 12 March 2016

A mixed year so far for new opera. A few really dismal things have appeared from people who should know better. Did the world really need an operatic treatment of Dante’s Divine Comedy for orchestra and chorus? Louis Andriessen thought so; his La Commedia (2004–8) luckily only reared its drab head for one night at the Barbican.

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