Martin Gayford

The art of repetition

The show succeeds triumphantly in making a virtue out of Munch’s repetitiousness

issue 13 April 2019

An eyewitness described Edvard Munch supervising the print of a colour lithograph in 1896. He stood in front of the stones on which the head of a masterpiece was drawn. He then closed his eyes tightly, stabbed the air with his finger, and gave his instructions. ‘Print… grey, green, blue, brown.’

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