For much of the past half-century, London has been the world’s orchestral capital. Not always in quality, but numerically without rival. Five full symphony orchestras and twice as many pint-sized ones kept up a constant clamour for attention. Each month brought new recordings with premier artists. Every orchestra had its own ethos, history and thumbprint.
Norman Lebrecht
The decade the music died
The inertia of state funding, allied to the lack of imagination of arts centres, has sapped the fizz from London’s halls

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