The name of Ditchling used to be synonymous with Eric Gill, but since he was outed as an abuser of his own daughters the association has become an embarrassment. Obliged to quietly drop its most famous name, Ditchling Museum of Art + Craft has been exploring less controversial connections. Its latest show, about Bourne and Allen, is a tribute to a forgotten creative partnership that casts a fascinating sidelight on the contribution of women’s traditional crafts – and lesbianism – to British modernism.
After the Festival Hall put them on the map, they were approached to weave the fabrics for Ben-Hur
Hilary...

Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in