In October 2011 Daniel Lee was at a dinner party at which a Dutch woman told a disturbing story. It concerned an armchair that her mother had recently taken for re-upholstering. The chair was something of a family treasure. As a child growing up in Amsterdam, the woman herself had always sat on it as she did her homework and it featured in countless family photographs.

Disagree with half of it, enjoy reading all of it
TRY A MONTH FREE
Our magazine articles are for subscribers only. Try a month of Britain’s best writing, absolutely free.
Already a subscriber? Log in
Comments
Join the debate, free for a month
Be part of the conversation with other Spectator readers by getting your first month free.
UNLOCK ACCESS Try a month freeAlready a subscriber? Log in