Michael Tanner

Unclear Handeling

Plus: music never lies, George Steiner has said more than once. He should go to Menotti’s The Consul at GSMD and hear that he is wrong

issue 04 November 2017

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though Jones was, as he remains, inveterately controversial. The opera itself seems to command universal admiration among Handelians, and widespread approval among those of us who have never quite managed to call ourselves that.

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