Where do you see paintings by Ruskin Spear (1911–90)? In the salerooms mostly, because his work in public collections is rarely on display. Until the National Portrait Gallery closed for redevelopment it was, however, possible to study Spear’s splendid portrait of ‘Citizen James’ (Sid James) peering from a black and white TV screen, and his oil sketch of Harold Wilson wreathed in pipe smoke, the epitome of political cunning.

Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in