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Arts

Arts feature

Yorkshire: England’s sculptural heartland in the north

I am standing on the deserted shop floor of a Victorian mill in Wakefield, with the industrial history of Yorkshire spread out before me like a map. Down below, the River Calder, once so busy, is now a leisurely, peaceful place. Children play beside the water. There are fishermen on the banks. It’s a lot

More from Arts

Blitz Requiem première in St Paul’s

Of all folk memories the Blitz remains one of the most enduring. In the autumn of 1940 the Luftwaffe strafed London on 57 consecutive nights, leaving (if that is the word) 20,000 dead and whole streets pounded to rubble. ‘You do your worst,’ Churchill told the Hun, ‘and we shall do our best.’ Noël Coward

Theatre

Hysteria is a pile-up of unmotivated absurdities

Terry Johnson’s acclaimed farce Hysteria opens in Sigmund Freud’s Hampstead home in 1938. The godfather of psychobabble is ambushed by a beautiful maniac named Jessica, who forces him to analyse her, and then hides in his closet and strips naked. Along comes Freud’s old chum Yahuda, a bumbling twerp who doubles as the farce’s authority

Mark Ravenhill’s take on Voltaire’s Candide

Ah yes, Candide, the adventures of an innocent abroad in ‘the best of all possible worlds’, as philosophers of the 18th century liked to insist. Voltaire’s satirical demolition of the higher nonsense of his age, and of the powers of Church and state who propped themselves up with it. A novel of 1759 written, at

Opera

Turandot is a disgusting opera that is beyond redemption

It’s a cynical start to the Royal Opera’s season to have this 1984 production of Puccini’s last opera Turandot. Not that a new production would improve things, whatever it was like. Turandot is an irredeemable work, a terrible end to a career that had included three indisputable masterpieces and three less evident ones, counting Il

Television

Exhibitions

David Tress: an artist of independent spirit

Like all artists of independent spirit, David Tress (born 1955) resists categorisation. He has been called a Romantic and a Neo-Romantic, a mixture of Impressionist and Expressionist, a traditionalist and a modernist, yet not one of these labels quite fits. He is all and none, drawing his inspiration from the great traditions of western art

Cinema