Minority report / Leave the countryside alone

All the latest analysis of the day's news
An intelligent mix of culture, food, style and property, plus where to go and what to see.
T he historic graffiti at Eton College, chiselled into its stone walls, wooden panelling and ancient oak desks, serves as a reminder to any Etonian that he’s merely the latest in a long line of boys stretching back to 1440 who have passed through the school and occasionally bent the rules. Two names chiselled together
This week's magazine
The glorious campness of Reform
It’s a very serious and rancorous time in Britain. Social strife is simmering. The asylum system is at breaking point. The lines on the economics graphs are all going in unsettling directions – the ones you’d prefer to see going down are going up, and vice versa. And inevitably the Overton window is shifting. Though
It’s a very serious and rancorous time in Britain. Social strife is simmering. The asylum system is at breaking point. The lines on the economics graphs are all going in unsettling directions – the ones you’d prefer to see going down are going up, and vice versa. And inevitably the Overton window is shifting. Though
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Interview is a blind-date play. Only it’s not a blind date but a showbiz interview for a journal called the New York Chronicle. The characters (played by Robert Sean Leonard and Paten Hughes) bicker, flirt and get emotionally involved during a 90-minute conversation. Naturally it all starts badly. The interviewer, Pierre, arrives at Katya’s Brooklyn