Sunday shows round-up: Farage insists Reform really will stop the boats

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‘Never join a queue.’ It’s not a bad motto. It keeps me away from tourist-choked hotspots. It means I don’t visit venues that offer free admission for children, advertise fast-track entry or are just one stop on ‘a multi-attraction sight-seeing experience’. My advice? If they want you to book a time slot, don’t go. As
This week's magazine
The glorious campness of Reform
It’s a very serious and rancorous time in Britain. Social strife is simmering. The asylum system is at breaking point. The lines on the economics graphs are all going in unsettling directions – the ones you’d prefer to see going down are going up, and vice versa. And inevitably the Overton window is shifting. Though
It’s a very serious and rancorous time in Britain. Social strife is simmering. The asylum system is at breaking point. The lines on the economics graphs are all going in unsettling directions – the ones you’d prefer to see going down are going up, and vice versa. And inevitably the Overton window is shifting. Though
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Interview is a blind-date play. Only it’s not a blind date but a showbiz interview for a journal called the New York Chronicle. The characters (played by Robert Sean Leonard and Paten Hughes) bicker, flirt and get emotionally involved during a 90-minute conversation. Naturally it all starts badly. The interviewer, Pierre, arrives at Katya’s Brooklyn