The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
When did you last take the bus? If you don’t live in London, probably not for ages. In her two-part series for Radio 4, Mind the Gap, Lynsey Hanley set out to demonstrate just how difficult it is to access public transport outside the capital. In Skelmersdale, billed in the 1960s as a place of
You remember slow TV? Pioneered by the Norwegian Broadcasting Corporation, with its classic Bergensbanen — minutt for minutt (2009), which simply stuck a camera on the front of a train and recorded the seven-hour journey from Bergen to Oslo, slow TV is a nice idea, unless you’re in a hurry, or you have an actual
Katharine Kilalea is a South African poet who has written a startlingly good first novel. OK, Mr Field (Faber, £12.99) is the haunting story of a concert pianist whose wrist is fractured in a train crash. On a whim, he uses his compensation money to buy a house that he has only seen in pictures.
In this week’s Books podcast, we’re moonwalking back to the glory days of Michael Jackson with the brilliant Margo Jefferson, author of On Michael Jackson and the memoir Negroland. What was it that made Jackson so captivating? Can his artistic legacy ever be disentangled from the gruesome murk of the last years? And does it
Few twists of political fortune are as discombobulating as the youngest child making off with the family inheritance. Richard III, George W. Bush, Ed Miliband: monsters all three. Sophia, Electress of Hanover — bright, lively and self-indulgent — left a no less divisive legacy. The 12th child of an exiled Mittel Europa princeling, Sophia had
The problem with writing about writers — and a particular blight on the current vogue for autofiction — is that writers do not necessarily live very interesting lives. Wrangling with editors, hatereading your rivals, making coffee and (occasionally) typing are all consuming occupations, but not the stuff of prepossessing narrative. That, at least, wasn’t an
There is a long and noble history of books about doing nothing. In the 5th century bc the sage Lao Tzu argued that the wise man should refrain from action, and Christ’s Sermon on the Mount also told us not to bother ourselves overmuch: ‘Consider the lilies of the field, they toil not.’ For Christ,
It is easier to say what this book is not than to describe what it is. It is not a biography, nor a work of musicology. As an extended historical essay it is patchy and selective. It is partly about pianos and pianism, but would disappoint serious students of that genre. It is not quite
‘Myshkin’ wants ‘a tiding ending’ to his life and has settled down to write his will. An ageing Indian horticulturalist, his childhood nickname (after Dostoevsky’s protagonist in The Idiot) remains. It is the first sign that this is a novel about people out of sync with their times and their surroundings. Abandoned by his mother
Paris, Venice, Montevideo, Cape Town, Hobart. There are cities, like fado, that pluck at the gut. In my personal half dozen, having also lived there, Lisbon ranks high. ‘What beauties doth Lisboa first unfold,’ gasped Byron’s Childe Harold. Two centuries on, Portugal’s capital remains Queen of the Sea. Yet beyond a sombrely sentimental gift to
In G.F. Watts’s former sculpture studio in the Surrey village of Compton, a monstrous presence has interposed itself between the dusty plaster models of ‘Alfred, Lord Tennyson’ and ‘Physical Energy’. Standing 14ft tall, the brightly painted soldier with fez and sabre is a replica of a colossal puppet made by James Henry Pullen (1835–1916) while
It’s not a wrap. This is the first thing to note about the huge trapezoid thing that has appeared, apparently floating, on the Serpentine Lake. Many of the projects by the artists who conceived it, Christo and his late wife and collaborator Jeanne-Claude, have involved bundling something up in a temporary mantle. The items thus
To no one’s surprise, the Tolkien: Maker of Middle-earth exhibition at the Bodleian in Oxford, where J.R.R. spent so much of his time, has been a huge success. Were tickets on sale, it would be a sell-out, but the Bodleian has made it free. The visitors book is peppered with observations such as: ‘It made
There was a standing ovation from the audience at The King and I at the London Palladium on Tuesday night, but then, audiences at musicals are invariably rather a sweet crowd, way less critical than opera goers. The musical’s heroine, Kelli O Hara, who plays the feisty feminist British governess, was in the papers yesterday declaring
190 years of The Spectator 14 December 1996 The Spice Girls were at the time the biggest girl group in the world, their debut album selling 23 million copies. The interview brought the magazine its highest sales figure for a generation Interview the Spice Girls, I thought. But the Spice Girls are interviewed
Grade: B+ Here we go again, then, I thought — another gobbet of self-referential, breast-beating respec’ me bro sputum against a backdrop of the usual overproduced r&b pop schlock. What used to be called ‘indie’ singer-songwriters are always moaning about how utterly useless they are, taking Radiohead’s ‘Creep’ as a kind of self-flagellating worldview. Chart
‘Can one person really grasp the significance of what another person has been through?’ asks Dr Rita Charon in this week’s essay on Radio 3. She’s a physician in New York (isn’t it somehow telling that in Britain we’ve long since forgotten what GP actually stands for?) and as a result of her experiences as
The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé Prévost’s L’Histoire du Chevalier Des Grieux et de Manon Lescaut (1731), she had no voice of her own. Reshaped as a sphinx by Alfred de Musset, made over as a gypsy by Prosper Mérimée, plumped
Even though I don’t watch much football I love the World Cup because it’s my passport to total freedom. I can nip off to the pub, slob indoors on a sunny Sunday afternoon, leave supper before we’ve finished eating, let alone before the dishes are done. And where normally that kind of behaviour would at
Listen to the crowd. I often delay passing judgment on a show until the audience delivers its verdict. This is especially true of plays that appeal primarily to women. Genesis Inc. by Jemma Kennedy presents us with two infertile mums. Serena is a clingy worrier whose aloof boyfriend, Jeff, resents forking out thousands for IVF.
Swimming with Men is a British drama-comedy starring Rob Brydon as a disaffected middle-aged accountant who joins his local male synchronised-swimming team, doesn’t bond with any of his teammates, doesn’t learn about what matters in life, catches athlete’s foot plus several verrucas, then throws himself from a bridge. Of course, that isn’t this film, but
All my life I’ve wanted to compose music, and now I’ve done it. I’ve written a sonata for solo flute that boasts two highly original features; it’s five hours long and must be performed by a badger. Though it took me only five minutes to write, my opus one is guaranteed to get through to
When I picked this book up, I already loved it — or at least I loved the idea of it: heroic sporting underdogs, a new coach with nothing in common with his players, and the forging of an indestructible bond of comradeship, all topped off by success on the world stage. But I felt trepidation
One day in December 1908, a wealthy 81-year-old spinster named Marion Gilchrist was bludgeoned to death in her Glasgow flat. Miss Gilchrist, who lived alone with her maid, was an obsessive collector and hoarder of jewels, which she hid among her clothes. There was no sign of a forced entry, but a valuable diamond brooch
Tim Winton’s novel about a journey of teenage male self-discovery is raw, brutal and merciless. You need to be familiar with Australian vernacular to appreciate the first-person narration by the young protagonist who says he is 17 but is thought to be ‘more like 15’ by an old renegade Irish priest he meets in the
‘I think you’re an adult when you can no longer tell your life story over the course of a first date,’ says Glen David Gold. I emerged from his weighty memoir feeling more like I’d been through a marriage: sadder, wiser, still sifting the decades of detail for the moments when a little self-awareness could
The true tragedy of the last Romanovs was a failure of imagination. Both during his last disastrous months in office and throughout the slowly unfolding catastrophe of his imprisonment, Nicholas II failed to conceive of how quickly the world around him could change, or just how desperate and ruthless the revolutionaries could be. A similar
Boyd Tonkin is superbly qualified to compile this volume. As literary editor of the Independent, he revived that newspaper’s foreign fiction prize, first won by Orhan Pamuk and his translator Victoria Holbrook. Translators are routinely undervalued. As with stage-lighting technicians, one is apt consciously to notice only glaring blunders; so it is good to know
Seven years ago Stella Tillyard, a successful historian of the 18th century, broke into historical fiction with Tides of War. This historically faithful and scrupulously detailed Napoleonic saga was thought in some quarters to have met its period’s gold standard: Patrick O’Brian’s Jack Aubrey novels. It also received the accolade, now obligatory for success in