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The dangers of the new occult
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Police Scotland has lost its way
Brigitte Macron has lost France’s sympathy
The Dutch elections are still a victory for the right
Trump and Xi’s South Korean meeting changed little
Is Reeves plotting to short-change the self-employed?
Have the Netherlands rejected Geert Wilders?
Why is Putin obsessed with nuclear ‘wonder weapons’?
Why Jess Phillips can’t confront the reality of grooming gangs
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An intelligent mix of culture, food, style and property, plus where to go and what to see.
My father married a murderer
From Spectator Life
The tragedy of Starmer’s breakfast
From Spectator Life
The sanctimony of Steve Coogan
From Spectator Life
Daylight savings is anti-feminist
From Spectator Life
How to drink sake
From the magazineThere is a fellow called Anthony Newman who is fascinated by drink, as a consumer, a producer and an intellectual. That said, he spent some years supplying Australians with craft beer, which does not sound very intellectual. But he insists he paid for his own passage and was able to return without a ticket of
Cullen skink is comfort in a bowl
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Americano Live: Is America Great Again?
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The Devil rides out
The dangers of the new occult
How the occult captured the modern mind
The British science-fiction writer Arthur C. Clarke, author of 2001: A Space Odyssey, proposed a ‘law of science’ in 1968: ‘Any sufficiently advanced technology is indistinguishable from magic.’ Clarke’s proposition had a quality of rightness, of stating the obvious with sparkling clarity, that propelled it into dictionaries of quotations. The timing was perfect: Concorde would
How the occult captured the modern mind
The British science-fiction writer Arthur C. Clarke, author of 2001: A Space Odyssey, proposed a ‘law of science’ in 1968: ‘Any sufficiently advanced technology is indistinguishable from magic.’ Clarke’s proposition had a quality of rightness, of stating the obvious with sparkling clarity, that propelled it into dictionaries of quotations. The timing was perfect: Concorde would
Hex appeal: the rise of middle-class witches
Satanic verses: the origins of Roman Catholic black metal
The gym, the hairdresser, the campaign trail: the inside story of Kemi’s first year
‘People can’t take a joke these days’: Michael Heath on wokeness, The Spectator and turning 90
Culture
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
A cracking little 1967 opera that we ought to see more often
From the magazineRavel’s L’heure espagnole is set in a clockmaker’s shop and the first thing you hear is ticking and chiming. It’s not just a sound effect; with Ravel, it never is. He was an inventor’s son, half-Swiss, half-Basque, and timepieces, toys and Dresden figurines were in his soul. For Ravel, they seem to have possessed souls
There is little sadder than the death of a language
From the magazinePeak wackiness: Lanthimos’s Bugonia reviewed
From the magazine
Unesco are idiots
From the magazine
The joy of Mortimer and Whitehouse: Gone Fishing
From the magazine
Dimes Square on screen
From the magazine
Let’s face it, Sleeping Beauty is a bit of a bore
From the magazine
Cartoons
‘‘Let’s increase taxes for everyone earning over an MP’s pay.’ ’
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‘‘She could have bought another cappuccino with that.’’
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