Richard Bratby

Deserves to become an ENO staple: The Cunning Little Vixen reviewed

Plus: Patricia Kopatchinskaja played Stravinsky’s Concerto the way it’s clearly always been waiting to be played

ENO’s Cunning Little Vixen takes its visual cues from those surreal, faintly terrifying Eastern European animations that used to plug holes in the Channel 4 schedules in the 1980s. Credit: Clive Barda

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in