The Almeida wants to examine the ‘Angry Young Man’ phenomenon of the 1950s but the term ‘man’ seems to create difficulties so the phrase ‘Angry and Young’ is being used instead. It’s strange to encounter a theatre that’s scared of words.
The opening play, Roots, by Arnold Wesker, looks at the conflict between town and country in 1950s Norfolk.
Disagree with half of it, enjoy reading all of it
TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view
Already a subscriber? Log in
Comments
Join the debate for just £1 a month
Be part of the conversation with other Spectator readers by getting your first three months for £3.
UNLOCK ACCESS Just £1 a monthAlready a subscriber? Log in