Book Reviews

As a boy Josh Cohen was passive, dopey and given to daydreaming. Now a practising psychoanalyst and a professor of literature with several books to his name, he retains ‘a long and deep intimacy with lassitude and aimlessness’. Cohen believes the special affection reserved for pop culture’s fictional slackers, slobs and reverists — think Jeff Lebowski, Homer Simpson, Snoopy — suggests that humans are fundamentally inclined towards idleness: people are ‘as much given to saying no as to saying yes, as much to rest as to motion, as much to being as to doing’. Not Working: Why We Have to Stop explores the relationship between inertia and the life of

In this week’s book’s podcast my guest is Jonathan Ames, a writer who has produced everything from memoir (Adventures of a Mildly Perverted Young Writer) to TV writing (Bored To Death), graphic novels (The Alcoholic), pitch-black noir (You Were Never Really Here), Wodehouse hommage (Wake Up, Sir!) and now, in The Extra Man, a comic novel riffing on Henry James. We talk about why he calls so many of his characters “Jonathan Ames”, how he goes about his work, and whether — as a man who has become synonymous with “overshare” — he can ever quite retreat into the background.

This week, I’m casting the pod with author and foreign policy analyst Robert Kaplan. At the end of the Cold War, the United States was both the most powerful country in history and without a challenger. Since them, however, America’s reach in foreign policy has consistently exceeded the grasp of its bureaucrats and elected politicians. Qualified and influential people still tell us that Russia cannot remain a global player and Iran cannot become one, because their economies are based on hydrocarbons and are relatively small. So how is it that Russia and Iran achieve their goals, while the United States flounders? As Robert Kaplan explains, the failures of American foreign

Benjamin Balint’s Kafka’s Last Trial is a legal and philosophical black comedy of the first water, complete, like all the best adventure stories, with a physical treasure to be won or lost. Balint lays out with cool, collected passion the full absurdity of the 2011 court struggle which climaxed when a couple of boxes of aged, yellowing jottings, upon which an elderly Tel Aviv lady had allegedly allowed her cats to sit for many years, were taken under armed guard, besieged by writs and counter-writs, to the highest court in Israel. Until 1973, you see, these boxes had belonged to Max Brod, best friend of Franz Kafka, the legendary Nostradamus

In this week’s books podcast I’m talking to Chris Kraus — author of the semi-autobiographical cult novel I Love Dick and the new essay collection Social Practices — about her strange and interesting life in the New York and LA art worlds, about taking Baudrillard to a “happening” in the desert, about ambition and fame, about how art and literature feed into one another — and about why we English should stop sneering at “theory” and learn to love its strangeness and beauty.

Around 1970 I was labelled ‘Public Enemy No. 1’ by white South Africa’s newspapers for leading militant anti-apartheid protests which stopped all-white sports tours to Britain. And a year ago when, under parliamentary privilege in the House of Lords, I exposed looting, corruption and money-laundering by former President Zuma and his cronies the Gupta brothers, some jaundiced white South Africans again attacked me — this time for having helped deliver ‘corrupt black majority rule’. They should read Hennie van Vuuren’s fine book, which tellingly concludes: The current struggle against [Jacob Zuma-inspired] corruption in South Africa is undermined by a basic lack of appreciation of the nature of that corruption and