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If you work in politics, chances are you have drunk in the Westminster Arms. Located just off Parliament Square, every night it hosts the collection of hacks, wonks and mandarins that comprise the SW1 bubble. For 30 years, Gerry Dolan has run the pub with his mix of Irish humour and no-nonsense determination. When we meet, three days before his retirement, his roving eyes still flick up every time to scan each new patron that enters his beloved bar. ‘I have loved the Westminster Arms. It’s been a great mistress’ he says. ‘My wife ran the wine bar downstairs, and she probably worked harder than I did. I was like

Those of us who grew up with a traditional Halloween, that is to say, in Ireland, don’t have much truck with the contemporary version. The pumpkin-coloured, gore and chocolate fest that has come to Britain via the US is gross by comparison; we had a simple version. We dressed up, but in masks and any old clothes we could lay our hands on. We had nuts and apples for bobbing, not chocolate in the shape of severed fingers. We went from house to house looking for a penny for the bobbin’, not trick or treating. And the thing you really looked forward to was barm brack. Halloween was a time

This month marks the 50th anniversary of the sad death of the actor Dennis Price, star of the classic 1949 black comedy Kind Hearts and Coronets, regarded by many to be the greatest British film of all time. Price was only 58 when he died from cirrhosis of the liver and complications following a broken hip, in a public ward of Guernsey’s main hospital. In the same way his co-star Alec Guinness stole the limelight in Kind Hearts, so the shock break-out of the Arab-Israeli Yom Kippur war did the same on the day of his death. His debts caused him to ‘beat a strategic retreat’ to the Channel Islands

For centuries, the English country house has provided the setting for some of the most terrifying fiction in our history. These isolated buildings, with their many empty corridors, secret backstairs, shut-up attic rooms and dark corners, their inherent eeriness has made them iconic settings for chilling encounters. But which real country houses inspired their fictional counterparts? Menabilly House, Cornwall Daphne Du Maurier’s mysterious Manderley was inspired by two country houses. The exterior was based on Menabilly House in Cornwall, an estate which Du Maurier would eventually rent from the Rashleigh family five years after Rebecca’s release, while the interior was inspired by Milton Hall in Cambridgeshire. Du Maurier’s haunting description

In 1979, I was 11 years old, and I had a quite remarkable teacher. Don’t worry, though – this isn’t going to be one of those anodyne paeans to an inspirational educator that the Department for Education use in their ads to lure people into teaching. In fact, if the lady I’ll refer to here as Mrs G were somehow to be reincarnated and placed in front of a Year 6 classroom of today, Ofsted would have her frogmarched out after about 20 minutes.  She once sent me to the local parade of shops to buy a box of Tampax  Mrs G was a fearsome sight – in her late

When Cecilia Lisbon, the youngest of the five Lisbon daughters in Sofia Coppola’s film The Virgin Suicides, winds up in the hospital having survived an attempt on her own life, the doctor tells her: ‘You’re not even old enough to know how bad life gets.’ ‘Obviously, doctor,’ Cecilia replies, ‘you’ve never been a 13-year-old girl.’ The dark edge of adolescence runs through Sofia Coppola’s films. You get a sense from even the most playful and romantic scenes that, behind the lustre of expensive clothes or dappled sunlight, girlhood is tragic and that its transformations are traumatic. Coppola’s eye for these contrasts makes her films brilliant. It also, whether she intends