Unreality television / Is Reform racist?
 
			
		 
			
		 
			
		 
			
		 
			
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		I first got a door slammed in my face in 1987. Looking back, I can’t help but feel that moment, at the age of eight, was my first bit of training as a journalist. I wasn’t seeking a scoop back then, of course. For eight-year-olds a scoop is something you get two of with your
 
			
		 
	
	This week's magazine
The dangers of the new occult
 
										The British science-fiction writer Arthur C. Clarke, author of 2001: A Space Odyssey, proposed a ‘law of science’ in 1968: ‘Any sufficiently advanced technology is indistinguishable from magic.’ Clarke’s proposition had a quality of rightness, of stating the obvious with sparkling clarity, that propelled it into dictionaries of quotations. The timing was perfect: Concorde would
The British science-fiction writer Arthur C. Clarke, author of 2001: A Space Odyssey, proposed a ‘law of science’ in 1968: ‘Any sufficiently advanced technology is indistinguishable from magic.’ Clarke’s proposition had a quality of rightness, of stating the obvious with sparkling clarity, that propelled it into dictionaries of quotations. The timing was perfect: Concorde would
 
										 
										The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Ravel’s L’heure espagnole is set in a clockmaker’s shop and the first thing you hear is ticking and chiming. It’s not just a sound effect; with Ravel, it never is. He was an inventor’s son, half-Swiss, half-Basque, and timepieces, toys and Dresden figurines were in his soul. For Ravel, they seem to have possessed souls
 
			
		 
			
		 
			
		 
										 
			
		 
			
		 
			
		 
			
		