Homosexuality

To describe a new book as ‘eagerly awaited’ is almost unpardonable. Yet Mark Doty’s What is the Grass: Walt Whitman in My Life is exactly that. It’s not just that Doty is an extraordinarily fine writer whose every word sings on the page. Poetry has a tendency to come into its own at exceptional times such as our own. William Wordsworth’s 250th anniversary has provoked media reflections on his consolatory power; a recently established Poetry Pharmacy is receiving attention; and social media brims with poems and poets attempting to make sense of what’s happening to us. Arguably there couldn’t be a more apt context for Doty’s book about his lifelong

People often say that the battle for male gay rights has been won, at least in the West, and that may be true. But the drag of the past is still great, and I can think of only two major works between classical and recent times that celebrate same-sex love openly: Shakespeare’s sonnets and Oscar Wilde’s The Picture of Dorian Gray. Light began to break through after the Great War, but largely for fellow insiders. Auden and Isherwood were timid in what they published in their prime. Proust did gay, but stuck to sordid. Only Gide spoke out positively in Corydon, but the journals are almost mute on his sex

In Henry and June, Anaïs Nin asks her cousin Eduardo if one can be freed of a desire by experiencing it. ‘No,’ he says. ‘The life of freed instincts is composed of layers. The first layer leads to the second, the second to the third and so on. It leads ultimately to abnormal pleasures.’ A hunger sated only uncovers a darker, more rapacious need. There is no endpoint to desire, no fulfilment that can snuff it out entirely. The protagonist of Cleanness, a novel in the form of connected short stories, is an American teacher living in Bulgaria who will be familiar to readers of Garth Greenwell’s much lauded 2016

Imagine you’re a gay man living in the year 1950. Not unnaturally, you would like to meet another gay man. How to identify yourself to a potential partner? A confession might bring the police; dressing and carrying yourself in distinctive ways will invite ridicule or violence in the street. The solution is this: you casually remark to a stranger that the pub you are both in is ‘naff’. He looks up, and before you know it, you’re talking like this: ‘Pauline? Can’t swing a cat but hit a cove. She’s had nanti bully fake. Dyed her riah, her end’s a right mess.’ ‘Nanti bona. I hope she vaggeried straight to

What is it about Naomi Wolf that inspires such venom? Perhaps that she’s American, brash, media-savvy and not averse to showing off her impressive embonpoint, which might go down badly in academe. But also — she makes mistakes. She made a pretty bad mistake in her very first book, The Beauty Myth, published in l990, by saying that 150,000 women died of anorexia in the US every year — whereas in fact she should have said 150,000 women suffered from anorexia. In this book, she seems to have dropped an even bigger clanger. Matthew Sweet started the ball rolling on his Radio 3 Free Thinking programme, when he told her

This is a wonderful and moving book of correspondence and biographical documents promising one Tchaikovsky in its subtitle and introduction, but actually delivering another — and thank the musical gods for that. Nothing here is horrid or even secret; the Russian edition was published in 2009 and has been used by English-speaking authorities since. And yet it claims to ‘unlock’ scandal: Pyotr Ilyich Tchaikovsky often swore in his letters (shock!), had many homosexual encounters, including one-night stands (covered in previous biographies) and felt at home in the upper echelons of the 19th-century Russian autocracy. Indeed, some find Tchaikovsky troublesome, such as the Soviets, readers of this book’s original Russian edition

If you think you know what to expect from an Alan Hollinghurst novel, then when it comes to The Sparsholt Affair, you’ll almost certainly be right. Once again, Hollinghurst explores British gay history by plunging us into haute bohemia over several decades of the 20th century. (A few years ago he told an interviewer that the main characters in his next book ‘will all be more or less heterosexual’: a plan that sounded pretty unlikely at the time and, seeing as this is his next book, was evidently abandoned.) Once again, he combines his broad sweep with plenty of equally impressive close-up analysis — and all in prose that manages