Homosexuality

The Spectator’s Notes | 4 May 2017

Guy Verhofstadt, the European Parliament’s main Brexit negotiator, tweeted on Monday: ‘Any #Brexit deal requires a strong & stable understanding of the complex issues involved. The clock is ticking — it’s time to get real.’ This was on the same day as media reports — allegedly leaked by associates of Jean-Claude Juncker, the European Commission president — criticised Theresa May for her naivety about Brexit talks at the dinner she gave Mr Juncker last week. These tactics are intended to affect our general election. By throwing Mrs May’s campaign slogan adjectives ‘strong and stable’ back in her face, Mr Verhofstadt was goading her at the decisive moment of her political

Tim’s a Christian, so he’s not allowed an opinion

Maybe I’m wrong about this, but I don’t remember the BBC running a documentary 100 days into Barack Obama’s first presidency and kicking him from pillar to post. Interviewing almost exclusively people who hated him, pouring scorn on his every utterance. They did it this week to Donald Trump, though, and even wheeled out Jeremy Paxman to present this travesty of a documentary. Because Jeremy was interviewing exclusively people with whom he wholeheartedly agreed, he didn’t get the chance to put on that famous supercilious expression we all used to love, back when he was good. Shame. With Obama, as I remember, it was a very different approach. The studio

The good, the indifferent and the simply awful

‘There is only one thing worse than homosexual art,’ the painter Patrick Procktor was once heard to declare at a private view in the 1960s. ‘And that’s heterosexual art.’ It would have been intriguing to hear his views on Queer British Art at Tate Britain. All the more so since it includes several of his own works, including a fine line-drawing study of the playwright Joe Orton, completely naked except for his socks — which he kept on because he felt they were sexy — and reclining somewhat in the manner of Manet’s Olympia. In fact, many of those included might have had reservations — Oscar Wilde, for example, one

Forbidden love and the beautiful game

Nowadays, most of us living in the liberal West agree that there can never be anything morally wrong with love between consenting adults. This is good for society but bad for novelists. The tale of the grand passion that runs foul of societal mores is a staple of literature. What is Madame Bovary if Emma can slam divorce papers on Charles’s desk after her first few sexts with Rodolphe? Writers who want to do the love versus society theme have to get creative. Ross Raisin has hit on the sterling idea of heading for the world of professional football. Not a single one of Britain’s 5,000 full-time players is openly

Undone by love

On the Whitsun weekend of 1935 an art student called Denton Welch was knocked off his bicycle by a car and suffered catastrophic injuries, including a fractured spine. Although he made a remarkable partial recovery, he subsequently endured regular bouts of disabling illness, and would die in 1948 aged only 33. Welch continued to paint after the accident, but also began writing the autobiographical fiction for which he is now best known, publishing his first novel, Maiden Voyage, in 1943. By this time he was living in a chauffeur’s flat over a garage in rural Kent. When well, he was able to walk and bicycle around the countryside, exploring buildings

All in the mind’s eye

Everyone knows what the Rorschach tests are. Like Freudian slips, boycotts, quislings and platonic friendships, however, it was long ago forgotten that they had been named after an individual human being. Hermann Rorschach was a Swiss doctor and psychiatrist with curiosity about the visual arts, a contemporary of Freud and Jung. He created the tests in a book published in 1921, and a structure for evaluating patient responses to them before dying of appendicitis the following year. Rorschach’s life has its interests, and certainly casts some unexpected light on the Europe of his time. His father wrote an artistic treatise which sounds extraordinarily like the Bauhaus writings of Paul Klee,

In the thieves’ den

‘To get a confession from a proud male factor, it is always better to call for a poet than a priest.’ These are the wise words of William Archer, the narrator of part of The Fatal Tree and the notional editor of the rest. Mind you, he’s biased: he aspires to be a poet, though he is at best a ‘garreteer’, one of the Grub Street hacks who provide better writers than themselves with lurid copy about the early Georgian underworld they live in. Archer’s world is the ‘Hundreds of Drury’, the streets and alleys around Drury Lane where the thieves, prostitutes and con men ply their trades. Known as

Victims of hysteria

This week, 49,000 gay men were granted posthumous pardons. Had Harold Macmillan’s government taken notice of this magazine in 1957 that number would have been far smaller. After the Wolfenden Report, we called for decriminalisation of homosexual acts between consenting adults and at the time we stood out among Fleet Street publications in taking this view, earning us the appellation ‘The Bugger’s Bugle’. It would be tempting to think that the pardons, which form part of the Policing and Crime Bill, mark the end of a dark chapter. No longer, we are invited to believe, could good people like Alan Turing — himself pardoned in 2013 — be hounded to

A matter of life and death | 19 January 2017

This month, 30 years ago, I wrote a draft of what was to become soon afterwards the first comprehensive human rights charter for people with HIV. It was born out of an urgency to stop the global drift by governments to panic and repression. In March 1987, a handful of us founded the UK Aids Vigil Organisation to campaign for the protections set out in the charter, lobby the World Health Ministers Summit in London and host a parallel HIV human rights conference, one of the first such conferences held anywhere. Our modest efforts were a mere footnote to a much bigger and more important story, which is told by

From Balzac to the Beatles

All biography is both an act of homage and a labour of dissection, and all biographers are jealous of their subjects. Most keep it cool, but some like it hot and have created a distinct category in which jealousy becomes murder followed by necromancy: the one they hug is asphyxiated — but lo! — they breathe their own air back into it. Sartre’s book on Jean Genet is such a work, as are Brigid Brophy’s on Ronald Firbank and Roger Lewis’s on Anthony Burgess. Claude Arnaud’s on Jean Cocteau is yet another. Its approach is intensely romantic. Everyone is heaving in lurid colours. Arnaud certainly knows his material; and that

The new normal

-What was your favourite response from the liberals to Donald Trump’s victory in the US presidential election? Actress Emma Watson handing out copies of a Maya Angelou book to bewildered commuters in New York? Cher announcing that she wasn’t simply leaving the USA, ‘but Planet Earth too’ — a move some of us assumed she had made at least 40 years ago? The hysterical protestors who set fire to their own shoes because they thought the said shoes were pro-Trump? The hyperbolic hatred spewed out towards those who voted for the Donald, or Matthew Parris suggesting that maybe this democracy caper has gone too far, or the teachers telling tearful

Mary Wakefield

My husband’s ‘gay affair’ with Gove

A few weeks ago I discovered that while he should have been focused on the fight of his life during the referendum campaign, David Cameron was instead obsessing over whether or not his justice secretary, Michael Gove, had had an affair with my husband, Dom Cummings, campaign director of Vote Leave. The story was in the Mail on Sunday, who eked it out across two consecutive issues. On week one it kept Dom and Michael’s names under wraps (for ethical reasons, it said) but revealed the source of the thrilling bit of gossip to be an aide of Cameron’s called Gavin Williamson (now Chief Whip). Williamson had, said the MoS,

No one turned a hair

The Benson family was one of the most extraordinary of Victorian England, and they certainly made sure that we have enough evidence to dwell on them. Edward White Benson was a brilliantly clever clerical young man of 23 when he proposed to his 11-year-old cousin Minnie Sidgwick. He had been the effective head of his family since his father’s death nine years earlier; Minnie, too, was fatherless. Despite doubts from Minnie’s mother, they agreed to marry when Minnie was 18. She, too, was clever — Gladstone famously described her as ‘the cleverest woman in Europe’ — but had no real attachment to Benson or to any other man. Her romantic

Sweet and sour | 27 October 2016

Great subject, terminal illness. Popular dramas like Love Story, Terms of Endearment and My Night With Reg handle the issue with tact and artistry by presenting us with a single victim and a narrative focus that reveals as much about the survivors as about the patient. Crucially, the disease is omitted from the title for fear of discouraging the punters from mentioning the work in conversation. A Pacifist’s Guide to the War on Cancer violates all these strictures. Half a dozen characters seated in a hospital ward shout at us about their failing health. These disjointed gobbets of testimony are interspersed with repetitive zombie dances and noisy songs with lyrics

Matthew Parris

Why didn’t I celebrate Oscar Wilde’s birthday?

On Wednesday 19 October at the Grosvenor House Hotel on Park Lane in London, a reception was held to celebrate Oscar Wilde’s birthday. Invited by the excellent Gyles Brandreth, I arrived in good time. But as I approached the doors of the reception room, something stopped me. These are the facts. But what is the explanation? A few months ago Boris Johnson wrote two newspaper columns, one in favour of a proposition, one against. As an exercise in clearing one’s mind, the approach has much to commend it. So, to clear my own mind, let me try the same plan. There follow two alternative submissions of the diary item that

All about C

In March 1981 Margaret Thatcher went to the hospital bedside of Maurice Oldfield, the former head of the Secret Intelligence Service, who was dying of stomach cancer. She found him surrounded by his brothers and sisters, whom she gently asked to leave as she needed to ‘speak privately with Sir Maurice’. When they trooped back after her departure, they found their brother, hitherto calm and resigned about his illness, distraught and weeping. It was the first time any of them had seen him in tears. In answer to their question what was wrong, he answered: ‘Mrs Thatcher asked if I was homosexual. I had to tell her.’ It was the

Straight talking | 11 August 2016

Thirty years ago this week, Queen performed what would turn out to be their last gig, at Knebworth. Their penultimate concert, at Wembley, was shown on Channel 4. I recorded it, and became obsessed. Time after time I watched-Freddie Mercury prance on to the stage sporting a moustache you could have swept a factory floor with. I watched him simulate the act of self-love with his famous sawn-off mic stand. I watched him preen, pout and posture, shaking his backside at the crowd, reappearing at the end dressed as the Queen. The previous year I’d watched him at Live Aid wearing a skimpy white vest and a leather armband studded

The food of love | 30 June 2016

‘You are the most adorable man and artist, intelligent, gifted, simple, loving and noble… I am really very, very lucky to be alive with you around….’ The relationship between the tenor Peter Pears and the composer Benjamin Britten is part of our cultural and national furniture. A partnership spanning nearly 40 years drove each artist to the peak of his creative and expressive powers, producing works like Peter Grimes, Winter Words and the War Requiem, as well as their definitive recordings. But music is only half of the Britten-Pears story. Before his death in 1976, Britten asked his friend and publisher Donald Mitchell to ‘tell the truth about Peter and

Two little boys, one little toy

Rose Tremain sets the true story of Police Captain Paul Grüninger, commander of the Swiss border force in Canton Saint Gallen, at the core of this powerful novel. Grüninger helped hundreds — some sources say thousands — of Austrian Jews fleeing the Nazis in 1938–1939 to enter Switzerland illegally. After a long trial he was dismissed in disgrace, deprived of his pension and forced to pay court fees. His family was destitute and treated as traitors. He died in 1972, penniless and forgotten. Tremain’s fictional Grüninger, Erich Perle, marries a simple peasant girl, who suffers a miscarriage and cannot forgive her husband for ruining her life for the Jews. He

The laureate of repression

In 1927, while delivering the lectures that would later be published as Aspects of the Novel, E.M. Forster made a shy attempt to get to know his Cambridge neighbour, the classical scholar A.E. Housman. At first all appeared to be going well. After one lecture the two men dined together, and Housman told Forster ‘with a twinkle’ that he enjoyed visiting Paris ‘to be in unrespectable company’. Emboldened by this confession, Forster ‘ventured to climb the forbidding staircase’ that led to Housman’s rooms in Trinity College. The door was firmly closed against him. He left a visiting card; it was equally firmly ignored. What might have been the start of