Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Who’s aping whom?

Lead book review

For a practical at medical school on the subject of the nervous system, it was thought unwise to wire students up to a live electrical circuit, so we used worms instead. The task was to measure lumbricus terrestris’s giant neurons as they fired. My worm’s bruise-coloured rings concertinaed in a final effort to escape before

The strange birth of liberal England

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If the road to hell is paved with good intentions, the one to heaven may be surfaced with bad ones. We like to imagine otherwise. We are rational, sensible, moral creatures. If we only think scientifically and apply ourselves, we can achieve anything. Hence the recent secular historiography of the Enlightenment and modern world, which,

Running on empty, and on and on

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Hunter Stockton Thompson blazed across the republic of American arts and letters for too short a time. When in February 2005 Thompson, 67, killed himself with a .45 at home in Woody Creek, Colorado, freethinkers and lovers of his savage, beautiful words grieved the world over — and we still do. Thompson was a Southern

Mocking the mandarins

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Stendhal likened politics in literature to a pistol-shot in a concert: crude, but compelling. When that politics largely consists of machinations within the European Commission in Brussels, readers may fear that the writer who pulls the trigger wields no more than a pop-gun. Yet the Austrian author Robert Menasse has scoured these corridors of power

Dialogue with the dead

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When Yiyun Li first became a writer, she decided that she would leave behind her native language, Chinese, and never write or be published in it again. She has described this decision as being like a suicide. In languages, she suggests, we form our identities. Leaving one behind is a death of a version of

A man of great magnetism

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Chances are, you are reading these words in some room or other. Build a wall down the middle of it, and in the middle of the wall, insert a tiny shutter. Conjure up a tiny critter who can open and shut this little door at will. When a hotter-than-average air molecule careers towards it, the

Tormented by guilt and desire

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James Lasdun is my favourite ‘should be famous’ writer, his work extraordinarily taut and compelling. His eye-boggling psychological thrillers are understated, yet perspicacious and hilarious. By ‘psychological thriller’ I don’t mean they contain newsworthy physical violence. Lasdun is too English for that (although he now lives in New York). I mean the kind of dilemmas

Ninety degrees north

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Having spent too much of my life at both poles (writing, not sledge-pulling), I know the spells those places cast. Michael Bravo promises to reveal something of that enigma, claiming at the outset of his book: ‘I will treat the mysterious power and allure of the North Pole in a way you will not have

Moving images of Christianity

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The Italian film director Federico Fellini was not known for his piety (far from it), yet towards the end of his life in around 1990 he determined to film Dante’s Inferno for national television. The brimstone poem appealed to Fellini for its comico-grotesque scenes of mass writhing human nudity amid firecracker detonations. He was not

Sam Leith

Only connect | 14 February 2019

Lead book review

At the time of his death in 1900, John Ruskin was, according to Andrew Hill, ‘perhaps the most famous living Victorian apart from Queen Victoria herself’. He was a landmark — more or less literally. You could visit Brantwood, where he had his Lake District home in later life, and buy postcards of him. There

Reading the reeds

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In 2016, after some unseemly back-and-forth between the Commons and Lords, it was decided that Acts of Parliament should no longer be printed on calfskin. Instead, new acts are now recorded on paper, though, in a classic parliamentary compromise, they will still be bound between vellum covers. Since the first paper mills appeared in Britain

A true labour of love

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This is a fascinating example of a small genre, in which the author decides at an early stage in his adult life that he would like to devote himself to a great figure whom he idolises, but who needs help of one kind or another to continue with his work, or at least for what

Julie Burchill

Everybody hates you – except for me

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It’s unusual for musicians to become writers. The trajectory of yearning is meant to be the other way around. When I was a teenager working at the New Musical Express I was bemused by the number of men there who had won the greatest prize on earth — being paid to write — but nevertheless

Down by the bayou

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The king of crime fiction doesn’t need a crown and sceptre. Every page proclaims his majesty. James Lee Burke has now written 22 books about Dave Robicheaux, but readers will never grow tired either of him, his friend, Clete Purcel, or the bayou. The New Iberia Blues should be greeted with a fanfare of trumpets:

Something sensational to read in the train

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Any memoir is a form of double-entry book-keeping, in which what has been lost is reckoned against what has been gained. It’s always easier to fill in the ‘lost’ column, since boasting is discouraged; sadness gets more attention, too, as it’s generally supposed to be more interesting than contentment. Sophie Ratcliffe includes an actual list

Sam Leith

Life at the Globe | 7 February 2019

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    IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON Though the new production of Richard II we’ve been discussing here is taking place at the Globe, it’s perhaps worth remembering that the original didn’t. The play precedes the building of the first theatre by half a decade or so. It

The kiss of death

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I once threw Tony Parker’s Lighthouse across the fo’c’sle of a ship at sea when I read that his characters were composites. Oral history should be historical, or it goes into the ocean. So it is a shame that I sometimes question Xinran’s authenticity in this account of the loves and lives of four generations

… and The Comedy of Errors

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The phrase ‘Shakespeare comedy’ is an oxymoron with a long pedigree, one which perhaps stretches back to the late 16th century; and a running joke in Ben Elton’s Upstart Crow is that no one finds the comedies funny except their author, who thinks they’re hilarious. So it is a brave writer who, in a bid

A violent, surrealist world

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Kristen Roupenian’s debut collection, You Know You Want This (Cape, £12.99), comes hotly anticipated. Her short story, ‘Cat Person’, went viral when the New Yorker printed it in December 2017, becoming the second most read article published by the magazine that year. Told in an apparently simple, confessional voice, it recounts 20-year-old Margot’s courtship with

The land beneath the sea

Lead book review

Somewhere deep in the water-thick layers of Time Song, Julia Blackburn says, funnily, that in Danish, ‘the word for book is bog’.And Time Song itself is a kind of beautiful bog, a memoir-cum-meditation focusing on the stretch of land that once connected Britain to the Continent but was drowned by the rising waters at the

A pawn in a deadly game

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On 7 November 1938, the 17-year-old Herschel Grynszpan walked into the German embassy in Paris. Claiming to have secret papers, he was shown into the office of an embassy secretary, Ernst vom Rath. Drawing a tiny revolver — the price tag still attached from that morning’s purchase —  he fired five shots, shouting: ‘You’re a

Old school ties can’t last forever

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Deplore it or revere it, you cannot but respect the private school industry’s wart-like survival in modern Britain. Has any other institution outlived its confidently predicted demise so robustly and for quite so long? It is getting on for 80 years since the liberal establishment turned against its own educational system. And yet the crusty

The healing art

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In this unusual book, part memoir, part history, Clare Hunter offers a personal meditation on the textile arts. Sewing and its associated skills have been coded as female, and the expertise required to master them has been trivialised. Hunter describes how when women demonstrate intricate embroidery or stitching, a man can be guaranteed to crack

Heavies in a new light

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Let’s hear it for the heavies, the unsung heroes of noir crime fiction on page and screen. The genre would collapse without them. Without the threatened or actual violence they so selflessly provide, the streets would not be mean and a private eye’s career would be only slightly less risky than an estate agent’s. Yet