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What kind of woman envies her daughter?

My mother hated Motherland, storming out after five minutes, saying Julia’s frantic school drop-off was too much like real life. She’d have loathed Amanda, the self-styled ‘alpha mum’. But I loved it – and was happy with the spin-off Amandaland, where Dame Joanna Lumley plays Amanda’s mother with gleeful froideur. When interviewed alongside her screen daughter, Lucy Punch, Lumley commented that one of the reasons for their characters’ taut relationship is how ageing women are resentful of their pretty daughters. Maternal envy, being rather destructive for all concerned, has provoked much debate in the papers (and no doubt consternation at dinner parties across Middle England). In the Daily Telegraph, Anna

Generation Bland: the inevitable rise of ‘Palentine’s Day’

As we approach with anticipation or dread 14 February, the day we traditionally celebrate love and all things amorous, a certain demographic will instead be observing a rather less passionate and altogether more bland occasion: ‘Palentine’s Day’. Commemorated on 13 February, this is apparently the date upon which to honour platonic friendships instead of romantic engagements – and it’s proving increasingly popular among Generation Z. It all started with ‘Galentine’s Day’, a celebration of female friendship invented by the character Leslie Knope in American political satire mockumentary Parks and Recreation in 2010. As the concept moved from comedy to real life it morphed into the gender-neutral ‘Palentine’s’ – lest anyone

Jonathan Miller

Never write a book

I have just finished writing a book and am moping about the house at a loose end. The conventional advice to anyone thinking about writing a book is: don’t. Unless you’re one of the 1 per cent of authors who make 99 per cent of the money, it’s a mug’s game as far as making a living is concerned. Your cleaning lady earns more per hour. So my advice is only write a book if you have an alternative source of income. One of the hardest things about writing a book is stopping. The temptation to tinker persists until the publisher screams at you to stop and mutters that publishing

Lara Prendergast

With Groove Armada’s Andy Cato

19 min listen

Andy Cato is a musician, record producer and DJ, and is perhaps best known as one half of the Grammy Award-winning electronic music duo Groove Armada. Andy is also a farmer and now puts his energy into championing a better food system as co-founder of Wildfarmed, the UK’s leading regenerative food and farming company. Backed by Jeremy Clarkson and hundreds of farmers nationwide, regenerative farming methods place nature at the heart of food production: protecting natural landscapes, minimising pesticide use and building food security. On the podcast, he tells Lara about nutrition on world music tours, his favourite food spot at Glastonbury Festival and why he sold the rights to his music

Michelin’s relaunch is a recipe for disaster

The Michelin Man is in trouble. In fact, his job is on the line. For 125 years, the Michelin Man, real name Bibendum, has been the face of the Michelin Guide: a coveted series of publications that award restaurants for excellence. But last week, news broke that the guide is attempting to reinvent itself in a bid to keep up with the world of online food reviews. Much like an aged B-list celebrity on a serious comedown, the guide is looking towards the internet for validation. In its endeavour to stay relevant, Michelin runs the risk of tarnishing the very thing that has kept it afloat for over a century:

Why are music biopics so bad?

The Led Zeppelin singer Robert Plant was driving through America 20 years ago when he heard a radio station announce that if any listener donated $10,000, they’d never play ‘Stairway to Heaven’ again. Somewhat tired of the song himself, Plant rang up and pledged the cash. ‘It’s not that I don’t like it,’ he later said. ‘It’s just that I’ve heard it before.’ Rather the same attitude seems to have been taken in the band’s new biopic, Becoming Led Zeppelin, which was released in British cinemas last week. The trailer calls it the band’s ‘first ever authorised documentary’, but fans hoping that this means seeing rough cuts of ‘Stairway’ should