Martin Gayford

Valuable reassessment of British art: Barbican’s Postwar Modern reviewed

This show succeeds in revealing numerous half-forgotten movements – and contains some out-and-out masterpieces

‘Big Bird’, 1965, by Frank Bowling. Credit: © Frank Bowling. All Rights Reserved, DACS 2021, photograph courtesy of the Victoria Gallery & Museum, University of Liverpool
  • Comments

  • Postwar Modern: New Art in Britain 1945-1965

    Barbican Art Gallery, until 26 June

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

There’s no commitment, you can cancel any time.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Read next

Trending

Katy Balls

Kemi and Gove’s Cabinet clash on Rwanda

Katy Balls
From the magazine
When the Rwanda Bill had its second reading in the House of Commons just before Christmas, there was a revolt on the right of the Tory party. A group of legal experts, with the self-appointed ‘Star Chamber’ title, were convened by Eurosceptic MPs. They declared that Rishi Sunak’s plan was not ‘sufficiently watertight’ to allow

Because you read about ceramics

Also by Martin Gayford

Latest

Comments

A blooming good offer

Join the conversation with other Spectator readers by getting the next 3 months for £3.

Already a subscriber? Log in