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Why I’m still wearing black

When my father passed away suddenly in April, I committed to wearing only black until after the funeral. I’m still struggling to properly articulate my feelings, but wearing black seems like a mark – albeit a feeble one – of respect to the memory of the best man I will ever know, and a small hold-out against fully returning to real life. I’m obviously not the first to wear black in mourning; the colour has held a near-mystical appeal for millennia. The Romans used to don a toga pulla when grieving. In the early medieval period, black symbolised malevolence, but by the 12th century the colour was associated with dignity,

What happened to comic con?

As a child, superhero comics felt like a guilty secret – their devotees part of a secret society who found refuge in the musty, cardboard-scented havens of comics conventions. Back then, girls were absent, dressing up was unheard of, and even children weren’t especially welcome. So when a gang of teenage girls not only turned up to Avengers: Endgame but openly wept at Iron Man’s death, I felt something close to vindication – and perhaps a twinge of envy for today’s young fans, who can indulge their obsessions out in the open. Those same musty rooms of old cardboard and grown men was what I was anticipating when I booked

How to deal with a crying woman

A woman crying elicits sympathy – even if, à la Rachel from Accounts, she is some kind of nightmare soap-opera figure from the suburbs of south London. When a woman we do not know bursts into tears in public our gut reaction is to assume she must have a good reason for doing so. She has, until proven otherwise, right on her side. And even if she does not, it does not usually matter. She may be wrong in terms of the rational truth, but she is right instinctively. Otherwise she would not have cried – would she? Let us be clear: women often cry, men rarely do. I speak

Four wagers for Haydock and Sandown tomorrow

I  am pretty sure that MINSTREL KNIGHT is a well-handicapped horse off an official rating of 87. However, there is no doubt that he is a better horse with cut in the ground: he won at Haydock on heavy ground and at York on soft ground at the end of last season. With very little rain over the spring and early summer resulting in predominantly quick ground up and down the country, Minstrel Knight has only run once to date this season, when he was fourth on good to soft ground in a modest handicap at Hamilton. That was almost certainly a prep run for a bigger target. The problem

Pixels are replacing paper

Those of us of a certain vintage will remember the National Record of Achievement, a brown, crummy-looking folder, sent (personally, I like to think) by Tony Blair to every schoolchild in the country. We were encouraged to keep our certificates within its corporate leaves, from Swimming Level 1 Goldfish to Duke of Edinburgh. Presumably, before the government had this idea, people didn’t know what to do with certificates. Perhaps they were used as kindling, or eaten. Receiving a certificate was a moment of fulfilment. If it came in the post, anticipation was part of the process. Being awarded one in person had extra frisson. Some certificates were better than others. The

Oasis nostalgia is a form of mass delusion

Rolling Stone magazine once quipped that grunge was what happened when the children of divorce got guitars in their hands. If you take this theory and tweak it, then one can reasonably conclude that Oasis is what happens when children who grow up in a house devoid of books decide to form a band. The bilge that’s been written about Britpop and the wallowing in 1990s nostalgia since the Gallagher brothers announced their reunion tour last year (it kicks off in Cardiff this Friday) is approaching fever pitch. Tatler even has one of Liam’s children on its cover. You may have gleaned by now that I am not a fan.